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Reflected appraisal
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Reflected appraisal is a term used in psychology to describe a person's perception of how others see and evaluate him or her. The reflected appraisal process concludes that people come to think of themselves in the way they believe others think of them (Mead, 1934; Cooley, 1902; Sullivan, 1947). This process has been deemed important to the development of a person's self-esteem, especially because it includes interaction with people outside oneself,[1] and is considered one of the main influences on the development of self-concept.[2]
Contents
[hide]
1 History
2 Extent of impact
3 Relationships
3.1 Families
3.2 Married couples
4 Scripts
5 Self-fulfilling prophecies
6 References
History[edit]
Harry Stack Sullivan first coined the term reflected appraisal in 1953 when he published The Interpersonal Theory of Psychiatry, though Charles H. Cooley was the first to describe the process of reflected appraisal when he discussed his concept of the looking-glass self (1902). Although some of our self-views are gained by direct experience with our environment, most of what we know about ourselves is derived from others.
In 1979, Shrauger and Shoeneman found that rather than our self-concepts resembling the way others actually see us, our self-concepts are filtered through our perceptions and resemble how we think others see us.[3] Felson (1993) explained that individuals are not very accurate in judging what others think of them. Among the causes of the discrepancy is the apprehension of others about revealing their views. At best, they may reveal primarily favorable views rather than both favorable and unfavorable views. Consistent with other research (DePaulo, Kenny, Hoover, Webb & Oliver, 1987, Keny & Albright, 1987), Felson found that individuals have a better idea of how groups see them than of how specific individuals see them. Presumably, individuals learn the group standards and then apply those standards. In turn, when group members judge individuals, they use the same standards that individuals originally applied to themselves. Thus we find a correspondence in self-appraisals and other’s appraisals of the self.[4]
Extent of impact[edit]
The extent to which reflected appraisals affect the person being appraised depends upon characteristics of the appraiser and his or her appraisal.[5] Greater impact on the development of a person’s self-concept is said to occur when: (1) the appraiser is perceived as a highly credible source (2) the appraiser takes a very personal interest in the person being appraised (3) the appraisal is very discrepant with the person’s self-concept at the moment (4) the number of confirmations of a given appraisal is high (5) the appraisals coming from a variety of sources are consistent and (6) appraisals are supportive of the person’s own beliefs about himself or herself.[6]
Relationships[edit]
Several studies have been conducted on the way reflected appraisal affects various relationships in a person's life. The idea that a person's self-concept is related to what that person perceives as another's opinion usually holds more weight with significant others. Appraisals from significant others such as parents, close friends, trusted colleagues, and other people the individual strongly admires, influences self-concept development[7] and often has more influence than a stranger on a child's developing self-esteem.[8] Study of this topic has led to the realization that people sometimes tend to anticipate what will happen in the future based on a previous perception.[9]
Families[edit]
Reflected appraisals are present among family members. All family members have opinions about one another and are typically less reticent to express them to each other than is the case outside of family relations. Siblings, especially, may be only too eager to give critical feedback regarding each other's behavior, appearance, social skills, and intelligence. Not all of these appraisals, of course, are equally significant for one's self-esteem. Both what is being appraised (with regard to its importance for one's self-concept) and who does the appraising, are important qualifiers. For children, on most things, the reflected appraisals of their parents may matter much more than those of their siblings.[10]
Reflected appraisal has been the main process examined in studies of self-esteem within families.[11] The bulk of this research has focused on the effects of parental behavior on children's self-esteem. In general, these studies find that parental support and encouragement, responsiveness, and use of inductive control are related positively to children's self-esteem (Gecas and Seff 1990). Most of these parental variables could be considered indicators of positive reflected appraisals of the child. They are also the parental behaviors found to be associated with the development of other positive socialization outcomes in children and adolescents (such as moral development, pro-social behavior, and academic achievement). [12]
Married couples[edit]
In the investigation of the reflected appraisal process with newly married couples, social status derived from one’s position in the social structure also influences the appraisal process.[13] The spouse with the higher status (education, occupation, and income) in the marriage is more likely to not only influence their partner’s self-views, but also their partner’s views of them (Cast, Stets, & Burke, 1999). Spouses with a lower status in the marriage have less influence on the self-view of their higher status counterparts or on how their higher-status counterparts view them.
Scripts[edit]
Through reflected appraisals, we are also given lines to speak in everyday situations (Murial & Joneward, 1971, pp. 68–100) that are sometimes so specific that some people refer to them as scripts.[14] Through these scripts, we are given our lines, our gestures, and our characterizations. The scripts tell us how to act in future scenarios, and what is expected of us. Others tell us what they expect from us, how we should look, how we should behave, and how we should say our lines.[15]
Self-fulfilling prophecies[edit]
The messages we receive about ourselves during the process of reflected appraisal can become self-fulfilling prophecies.[16] The Pygmalion effect, Rosenthal effect, and observer-expectancy effect show that biased expectancies could affect reality and create self-fulfilling prophecies through reflected appraisal. If you were given positive reflected appraisals when you were young, you probably have a good self-concept; if the appraisals were largely negative, your self-concept may suffer.[17]
References[edit]
Jump up ^ Hindman, Kaci. "What Is Reflected Appraisal?". wisegeek.com. Conjecture Corporation.
Jump up ^ Cherry, Kendra. "What Is the Reflected Appraisal Process?". psychology.about.com.
Jump up ^ Leary, Mark R.; Tangney, June Price (July 13, 2005). Handbook of Self and Identity (PDF) (1 ed.). The Guilford Press. pp. 5–6. ISBN 1593852371.
Jump up ^ Leary, Mark R.; Tangney, June Price (July 13, 2005). Handbook of Self and Identity (PDF) (1 ed.). The Guilford Press. pp. 5–6. ISBN 1593852371.
Jump up ^ Rao, Sree. "How the Self concept Develops". citeman.com.
Jump up ^ Rao, Sree. "How the Self concept Develops". citeman.com.
Jump up ^ Rao, Sree. "How the Self concept Develops". citeman.com.
Jump up ^ Hindman, Kaci. "What Is Reflected Appraisal?". wisegeek.com. Conjecture Corporation.
Jump up ^ Hindman, Kaci. "What Is Reflected Appraisal?". wisegeek.com. Conjecture Corporation.
Jump up ^ "Self-Esteem". encyclopedia.com.
Jump up ^ "Self-Esteem". encyclopedia.com.
Jump up ^ "Self-Esteem". encyclopedia.com.
Jump up ^ Leary, Mark R.; Tangney, June Price (July 13, 2005). Handbook of Self and Identity (PDF) (1 ed.). The Guilford Press. pp. 5–6. ISBN 1593852371.
Jump up ^ Hybels, Saundra; Weaver II, Richard L. (2004). Communicating Effectively (7 ed.). McGraw-Hill Companies. pp. 36–37. ISBN 0072563974.
Jump up ^ Hybels, Saundra; Weaver II, Richard L. (2004). Communicating Effectively (7 ed.). McGraw-Hill Companies. pp. 36–37. ISBN 0072563974.
Jump up ^ Hybels, Saundra; Weaver II, Richard L. (2004). Communicating Effectively (7 ed.). McGraw-Hill Companies. pp. 36–37. ISBN 0072563974.
Jump up ^ Hybels, Saundra; Weaver II, Richard L. (2004). Communicating Effectively (7 ed.). McGraw-Hill Companies. pp. 36–37. ISBN 0072563974.
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List of That '70s Show characters
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This is a list of characters appearing in the series That '70s Show.
Contents
[hide]
1 Main characters
2 Recurring characters
3 Intended recurring roles
4 References
Main characters[edit]
Eric Forman (portrayed by Topher Grace): The protagonist; Eric is a nice guy, generally geeky, physically slight, and somewhat clumsy. He is a smart-aleck with a fast wit and a deadpan sense of humor. He convinces his parents to let his best friend Steven Hyde move in with them, making Hyde like a brother. His father, Red, is always hard on him. Eric is in a relationship with his longtime love and neighbor Donna Pinciotti. He decides to become a teacher after high school, and he leaves the series at the end of the seventh season to teach in Africa, and returns at the series finale, reuniting with Donna.
Jackie Burkhart (portrayed by Mila Kunis): The youngest member of the group, Jackie starts the series as the pretty, rich, spoiled, selfish, conceited, and annoying immature girl. She likes to give thoughtless and superficial advice, which occasionally turns out to be correct. As the series progresses, she moves away from her self-centered ways and becomes sweeter. Partly as a result of these changes, she and Donna become better friends. By the end of the series, Jackie has dated three of the four males of the group: Kelso, Hyde, and Fez.
Michael Kelso (portrayed by Ashton Kutcher): The dim-witted pretty boy of the group who wants to coast through life on his good looks. He spends the first half of the series in a relationship with the equally vapid Jackie but their relationship comes to an end when Jackie wants to marry him and he isn't ready, so he runs away to California with Donna in the Season 4 finale. His best friend is Fez. He fathers a baby girl named Betsy during the seventh season. He becomes a police officer but gets kicked off the force because he does just about everything wrong. He gets a job as a security guard at a Playboy Club in Chicago, and leaves the series during the eighth and final season. He only appears in five episodes during season eight, including the series finale.
Steven Hyde (portrayed by Danny Masterson): Eric's best friend and the anti-establishment member of the group. By the end of season one, the Formans allow Hyde to move in after he was abandoned by his mother, making him a foster brother to Eric. Hyde has a witty, blunt, and sarcastic sense of humor, and a rebellious personality. He is also smart, and the other group members often ask for his advice. Although Hyde dates Jackie for three seasons, in the final season he marries an exotic dancer named Samantha. Hyde later discovers Samantha was still married when she married him. As Donna points out in "My Fairy King", that means Hyde and Samantha are not legally married. In the seventh season, Hyde meets his biological father (William Barnett, played by Tim Reid), a wealthy black businessman (making Hyde, who was presumed white, biracial). Barnett, who owns a chain of record stores, makes Hyde first the manager, and later the owner, of the Point Place store.
Donna Pinciotti (portrayed by Laura Prepon): Eric's longtime girlfriend (and briefly fiancée). Donna is intelligent, good-looking, and a feminist. Although she does not agree with what Jackie represents in the beginning of the series, they become friends. Donna is in a relationship with Eric for seven seasons (despite their break-up during season 4). She has brief romances with Casey, Michael's brother, and with Randy during the final season and quickly ends it. She rekindles her relationship with Eric at the end of the show's finale.
Fez (portrayed by Wilmer Valderrama): The foreign exchange student of the group whose hormones seem to be out of control. His secret country of origin is one of the longest-running gags on the show. He is sweet, friendly, perverted, gullible, and rather odd. He enjoys eating candy, drinking beer, and looking at pornography. His best friend is Kelso, and he shares a "younger brother" type relationship with Hyde and Eric. He constantly flirts with Jackie and Donna and often makes romantic advances toward them. Initially, he has a lot of trouble getting attention from girls, but during the eighth season he becomes a ladies' man. He is in love with Jackie throughout the series, but his love is not reciprocated until the eighth season when they become a couple.
Kitty Forman (portrayed by Debra Jo Rupp): Eric's mother and Red's wife, Kitty is a cheerful, doting mother, but can also be assertive when pushed. She is a nurse, and a former smoker. Her major mood swings are usually attributed to menopause. She is also a good mother figure to Eric's friends.
Red Forman (portrayed by Kurtwood Smith): Kitty's husband, Eric's and Laurie's father, and Hyde's adoptive father. Red is a Navy combat veteran, having served in World War II and the Korean War. Despite his mean exterior, Red occasionally displays a soft side. His hobbies include working with his power tools, drinking beer, watching television, reading the newspaper, hunting, and fishing.
Midge Pinciotti (portrayed by Tanya Roberts): Bob's wife, Donna's mother, and Kitty's best friend. Midge was the sexy neighborhood mom Eric and his male friends fantasized about when coming of age. Although often dim-witted, she is also a kind-hearted woman who develops feminist ideals. She and Bob divorce when she is written out of the series after the third season, however, returns during the sixth and seventh seasons in a recurring role where she and Bob almost reunite.
Bob Pinciotti (portrayed by Don Stark): Midge's husband, Donna's father. Bob often brags about his service in the National Guard, which invariably irritates Red. Bob is also known for walking around his house with his robe wide open and no underwear. He eats constantly, even in bed. Bob is almost always in a good mood and is a ladies' man. His best friend is Red, even though Red sees him as a nuisance. He usually takes the brunt of Red's abuse in a jolly manner.
Laurie Forman (portrayed by Lisa Robin Kelly/Christina Moore): Eric's beautiful but evil older sister. Laurie enjoys tormenting Eric and manipulating her parents. She is promiscuous, often seen with various men, mainly Eric's friend Kelso, who cheats on his girlfriend, Jackie. Eric, Hyde, and Donna often mock her promiscuity. She also has a strained relationship with her mother, who thinks of her as a freeloader. She leaves the series during the third season but returns in a recurring role during the fifth. In season five, she and Fez marry to prevent him from getting deported. In season six, she is portrayed by a different actress, Christina Moore.
Leo (portrayed by Tommy Chong): A hippie, and the owner of a Foto Hut at which Hyde once worked. Leo is an Army veteran who served in World War II, where he was awarded a Purple Heart. Leo often puts play before work and maintains an easy-going attitude in most things, business included. He disappears from the series after season four but is later referenced in season five's "The Battle of Evermore" when the gang goes on a mission to find him, but with no luck. He returns in season seven and remains on the series until the show's end. In season 8, he gets a new job working for Hyde at Grooves.
Randy Pearson (portrayed by Josh Meyers): The newest member of the group, who is introduced in the final season. Randy appears laid back, gentle, polite, and a ladies' man, although later many of his flaws surface. He forms a friendship with Red after showing Red how good he is at fixing things. While Hyde, Jackie, Donna, and Kelso accept him as a new member of their group, Fez does not. Randy dates Donna for the majority of season eight, but she eventually breaks up with him.
Recurring characters[edit]
Suzy Simpson (played by Alyson Hannigan) appears in three episodes of season 6. She is Kelso's buddy from police academy who is also attracted to him. Fez has a crush on Suzy and it is because of her that he and Kelso fight after Kelso lies to Fez saying that Suzy has agreed to go on a date with him when really she thinks that she is dating Kelso.
Angie Barnett (played by Megalyn Echikunwoke) is Steven Hyde's half-sister. Hyde did not know he had a sister until the 7th season. Angie graduated from college as a mathematics major. Angie and Hyde worked together managing their father's record store, but Angie did not always like working with him. She dated Kelso, which sometimes annoyed Hyde. Angie got her name because, in the seventh season, all episodes were named after Rolling Stones songs, and "Angie" was a song by the Stones.
Annette Berkardt (played by Jessica Simpson) was Michael Kelso's girlfriend for a brief period of time in season 5. She acts and talks very similar to Jackie, constantly bossing Kelso around. Eric and Donna once referred to her as a blonde version of Jackie, or "Blackie." Despite this, Jackie and Annette hated each other. Once at The Hub, Jackie said to Annette "I did not know they let 'slutballs' in here". Annette said since she saw Jackie in there she thought it was okay. Later in the episode, when Annette and Kelso were kissing, Jackie yelled "Get off my boyfriend!" to Annette, even though it was months after Kelso and Jackie broke up. This led to Hyde wanting to break up with Jackie.
Beatrice Dorothy "Bea" Sigurdson (née Heprage) (played by Betty White) is Kitty Forman's mother. Bea seems like a friendly old lady, but is cold and critical, especially of Kitty. She appeared in a few episodes in season five, often nagging at Burt or saying something rude to Kitty in a faux-friendly manner. She was widowed in "Your Time is Gonna Come" when Burt collapses in the driveway and is rushed to the hospital where he dies. She stays with the Formans for a while after Burt's death.
Bernice Rose Forman (née Larson) (September 16, 1904 – January 22, 1977) (played by Marion Ross) is Red Forman's mother. Bernice hated Kitty, and she was always mean to her, because Red married Kitty instead of another woman Bernice liked. She appeared in the episodes "Sunday, Bloody Sunday", "The Best Christmas Ever" and "Grandma's Dead" of season 1, and flashback in the episode "Halloween" of season two. In the episode Grandma's Dead she dies in Eric's car while he is driving her home.
Brooke Leslie Rockwell (played by Shannon Elizabeth) was the valedictorian of the high school class two years before Eric's class. The summer after Kelso's graduation, she had sex with him at a Molly Hatchet concert in a bathroom stall and got pregnant. Initially, Brooke did not trust Kelso because of his immaturity and did not want him in the child's life. Eventually, Kelso convinced her to give him another chance. Brooke gave birth to their daughter, Betsy in 1979.
Steven James "Bud" Hyde Jr. (played by Robert Hays) is Steven Hyde's stepfather. Bud Hyde worked as a bartender and is an alcoholic. Until the end of the 6th season, Steven Hyde thought Bud was his biological father. Bud Hyde abandoned Steven when he was a child and Steven was always angry at Bud for this. They temporarily reconciled in season 3, with Hyde even moving in with him. However, he would leave again at the beginning of season 4 after getting back together with Edna – forcing Hyde to move back to the Forman house. Hyde mentioned that Bud did attempt to get in touch with him again. (Bud was passed out drunk on Hyde's car.)
Bertrum Wayne "Burt" Sigurdson (October 4, 1901- February 6, 1978) (played by Tom Poston) is Kitty Forman's father. He is often seen avoiding his wife, Bea. In one episode, he bought an ostrich farm, which was right next to a coyote farm. The coyotes ate all the ostriches and the Sigurdsons had to sell the house. Burt died in the episode Your Time is Gonna Come.
Caroline "Crazy Caroline" Dupree (played by Allison Munn) was Fez's girlfriend in season 3. Fez quickly learned Caroline is very jealous and paranoid. She made threats against Donna and Jackie because Caroline felt they were going to steal Fez from her, when in fact Jackie and Donna had no intention of doing so. Caroline was once found hiding in the men's bathroom looking for Fez. Fez did not want to be with someone that aggressive and paranoid so he broke up with her. Fez and Caroline were together one last time in the eighth season. She got extremely angry when she found out that Fez had lied to her about Jackie being his roommate, and when she found nude photos of Donna in Fez's Barry White album (Leo hid the nude photos in the album without Fez's knowledge, but Caroline believed they were put there by Fez). Caroline appeared again in "Sheer Heart Attack". Fez was having sex with women once and not seeing them again and then decided that he wanted to be with only one woman, so he called Caroline. Later in the episode, Jackie told Fez that she loved him and then kissed him as Caroline walked in. This, as always, made Caroline angry with Fez and attack him viciously.
Casey (played by Luke Wilson) is Michael Kelso's brother who was in the military. Towards the end of season 4 he was dating Donna Pinciotti. During their relationship, there were instances of them engaging in bad behavior, such as Donna drinking and skipping school to hang out with Casey. Donna's father, Bob, felt that Casey was a bad influence and did not want Donna to date him anymore. Eric was jealous of Casey because he wanted to be with Donna, so Eric wanted them to break up. When Red Forman and Bob were discussing Casey's negative influence with Donna and Casey, Casey broke up with Donna, deciding the conflict with Bob and Red to be too much hassle. Donna felt that she and Casey were in love, but Casey felt "I love you" is just something you could say and do not have to really mean. Michael Kelso said that his brother Casey got bored with his girlfriends and broke up with them. During the summer of 1979, Casey was teaching physical education at Eric's old high school, and Eric was in Casey's class. He likes to call Eric "Foreplay". his last episode was Season 7's 2120 So. Michigan Ave.
Charlie Richardson (played by Bret Harrison) is the son of one of Red's war buddies. Eric held a grudge against him from the time that he let some sick children win "Eric's" goldfish in an egg toss. Charlie only appeared in about three episodes towards the end of Season 7. Before the beginning of Season 8, Charlie accidentally fell off the water tower and died. The water tower is named the Charlie Richardson Memorial Water Tower in his honor. The original idea was to have Charlie stay on the show the entire 8th season as a replacement for Eric, but the actor got an offer for his own show so they killed his character off.
Christine St. George (played by Mary Tyler Moore) is a talk show host of What's Up Wisconsin. In the episode "Sweet Lady", Jackie felt she was destined to be Christine's co-host on the show. She persistently tries to get the job, but Christine St. George makes Jackie her assistant instead. After a few episodes, Jackie was fired for knowing too much about her.
Earl (played by Robert Clendenin) is a friend of Red's who worked for Red at Price Mart. Earl frequently came to work late and slacked off on his job, so Red fired him. After that, Earl sued Red for wrongful termination, however, Earl arrived too late to his own hearing, so the judge ruled in favor of Red. Later, Earl got a job working at a fast food restaurant, where he is again fired for his poor work ethic (this time for repeatedly eating the restaurant's food while on work). Earl appears in the episodes "Red Fired Up", "Roller Disco" and "Radio Daze".
Edna Hyde (played by Katey Sagal) is Steven Hyde's biological mother. She is only in the Season 1 episodes "Career Day", "Prom Night", and "Punk Chick", though she only appears in "Career Day". She plays a large part in "Career Day", playing opposite Hyde when on Career Day, he has to help her in the kitchen (she was the school chef, "Gross Edna" at the time). In other episodes she only has lines yelling at Hyde on the porch from the inside of the house such as:
In Prom Night Edna: "They're all gonna laugh at you!" (a reference to the 1976 film Carrie) Steven: "Shut up ma, you're makin' the night too damn special!"
In Punk Chick Steven: "It's still my suitcase!" Edna: "Nothing in this house is yours!" Steven: "Shut up!"
Edna then ran off and left Hyde alone, which is why he moved in with the Formans and she is not heard of again until the 4th season where Hyde confesses that his parents got back together and ran off.
Fenton, also known as Clerk in Season 5, (played by Jim Rash) is someone with whom Fez has a feud due to a "half-off sale, a crowded parking lot and a pair of pants that made Fez's ass look like an oil painting" in Fez's own words. In the fifth season, he was an employee at the jewelry store where Eric bought Donna's engagement ring. He is also the landlord of the apartment that Fez and Kelso moved into in the seventh season, which later became Fez and Jackie's apartment when Kelso moved to Chicago. At first, Fenton did not want to let Kelso and Fez move in because of his feud with Fez, but later when he found out Kelso wanted the apartment to have a place to take care of his daughter, and Fenton got the impression that Kelso and Fez were "life partners", he let them have it. Though Fenton does not state this explicitly, his frequent innuendos about men and his lack of experience with women imply he is gay. Whenever he sees Fez, he says "Oh, It's you" in an evil manner. Fenton later becomes good friends with Jackie, who persuades him not to evict Fez and end their feud when she accidentally floods their apartment.
Hilary Robinson (played by Lara Everly) is Fez's co-worker at the salon where Fez works in season 8. Fez tried to impress her by trying to look cool which intimidated her, but when Jackie explained to her who Fez really was, she fell in love with him. Fez and Hilary dated for a few weeks, before Hilary suddenly decided to become a nun and left Fez.
Jack Burkhart (played by Paul Kreppel) is the father of Jackie Burkhart. He was arrested for bribery and embezzling $60,000.
Joanne (played by Mo Gaffney) is a girlfriend of Bob Pinciotti, who appears in Seasons 4 and 5. She met Bob at the supermarket when Bob, being unable to cook, was about to buy a dozen TV dinners. Joanne decided to teach Bob to make a meatloaf so he would not have to buy the TV dinners. She does not get along well with Red. When Red and Joanne first met, they got into an argument about who would cook the meat and who would make the salad. Joanne works at the dog food factory and hires Eric to work there to put coupons in the dog food bags. Eric would eventually lose that job after Joanne broke up with Bob.
Mitch Miller (played by Seth Green) is a student in the same class as Eric. Mitch had a feud with Fez and because of this conflict, Mitch published a photo of Fez and Kelso kissing each other in the school newspaper. Mitch had a crush on Donna Pinciotti, and one time Donna went to a wedding with Mitch. Eric was angered when Mitch embarrassed Donna, and Eric and Mitch agreed to fight each other the next day at 5:15 PM. Not wanting to fight, Mitch persuaded Eric not to fight with him by offering him a French-made GI Joe called "GI Jacques". Mitch has a father, Charlie Miller, played by Fred Willard.
Nina Jo Bartell (played by Joanna Canton) is a girlfriend of Fez in season 5 who worked with him at the DMV. Fez lost his virginity to her, but it went badly, so she suggested they needed to do it more often to get better. They broke up a while later because Nina thought he was too needy.
Officer Phillip Otis Kennedy II (played by James Avery) is Kelso's training officer when he joins the police force. He appears mostly in the 6th season, playing a straight ace to the bumbling Kelso.
Pam Burkhart (played by Eve Plumb in Season 1 and Brooke Shields in Season 6) is the mother of Jackie Burkhart who was dating Bob Pinciotti in season 6. Once a serious business lady, she fled to Mexico when Jackie's councilman father was arrested for bribery and embezzling $60,000. She returned to try to fix her relationship between her and Jackie.
Pam Macy (played by Jennifer Lyons) is a classmate of the main characters of the show. She has been mentioned in more episodes than she appeared. She appeared in the episodes "Prom Night", "Romantic Weekend", and "It's a Wonderful life". In "Prom Night", Michael Kelso took Pam to the prom while temporarily broken up with Jackie. In "Romantic Weekend", Kelso was about to have sex with Pam but was unable to perform, telling his friends "The buffer wouldn't buff". Pam told this to the whole school, which caused everyone to tease Kelso about it.
Pastor Dave (played by Kevin McDonald), Pastor Dave is the local pastor at the church. He is overly cheerful and (incorrectly) thinks he is up to date with the trends, and is "hip and cool". He is often greeted by Eric and his friends with deadpan voices, and they typically just agree with Dave in the hopes he'll go away. Dave is good friends with Kitty, who helps with the church fundraisers, and has an uneasy friendship with Red (mostly because Red is not used to having friends). His friendship with Red seems to have brought out a less-pure side of Dave, as he spends a day with Red watching football and drinking beer, and once even quit the church because he wanted to watch more football on Sundays (he later rejoins as the pastor again). He appears primarily in Season 3 and 4, but has a few cameos in Season 2.
Rhonda (played by Cynthia Lamontagne) Often called Big Rhonda by her classmates, she was a recurring character during season 4. She was Fez's girlfriend during this season. When she and Fez were stuck in the school during a tornado, he was about to have sex with Big Rhonda, but after the tornado was gone, she did not want to anymore. She broke up with Fez after she choked him after he wanted to get to third base, which came from bad advice from Casey Kelso. Like Fez, she loves candy. The episode "It's a Wonderful Life" featured an alternate timeline, where Rhonda went to the prom with Eric (in this timeline, Eric and Donna were never in a relationship). Later in the same episode, she is seen at their 10-year reunion but now as a trim and beautiful woman (which Rhonda attributes to being dumped by a gigantic loser like Eric). It was also mentioned in the season three episode "Kitty's Birthday" that she was hit by a car but was apparently uninjured.
Roy Keen (played by Jim Gaffigan) is the kitchen manager of the Holliday Hotel who employed Eric, Hyde, and Kelso to work as waiters in the hotel's restaurant during seasons 5 and 6. The character serves as the replacement of Leo who was written out during season 5, although he had been absent for several episodes. It was mentioned by Hyde that Roy was like a father figure when his father abandoned him. Roy has stated that his standards for food service are low and he goes days without washing his hands. Roy served in the Vietnam War, once describing Eric as "scrawny, but strong... like the Vietcong". He suffers from serious trouble connecting to people. At one time he got the impression a woman was in love with him, after she insulted him when he got her some butter, and hid in her shower to surprise her with flowers. He once mentioned he was living with a woman, but moved out when she found out he was living with her in secret. It is revealed in the season 6 episode "A Legal Matter" that he was a police cadet who was oust of the police academy for shooting a police horse.
Samantha Hyde (played by Judy Tylor) is Hyde's wife during season 8. They got married while Hyde was drunk in Las Vegas. The two barely knew each other when they got married. Hyde did not even remember the wedding and did not know he was married until after Samantha came to Point Place to see Hyde. In the episode "My Fairy King", Hyde learned that Samantha was already married to someone else. After this, Hyde and Samantha's relationship ended.
Schatzie is a Dachshund that Red gave Kitty in an attempt to make her happy. Schatzie was in several episodes of season 5, was absent for all of season 6, then returned for only one episode towards the beginning of season 7. Red claimed that his absence was due to hiding under the house because he was afraid of the garden hose. "Schatzie" is German and means "little treasure" or "darling" (diminutive of "Schatz").
Timmy Thompson (played by Paul Connor) is a student who went to high school with Eric, Donna, Hyde, Fez, Kelso, and Jackie. To the annoyance of some of the gang, he announces comments to the room that start with "Heeey...", such as:
"Heeey, Forman and Donna got a motel room and they're going to do it!"
"Heeey, I'm taking off my pants!"
"Heeey, Forman's on a date with his mom!"
"Heeey, Donna's showed her ass!" (while showing everyone a yearbook photo where Donna mooned the camera).
He only has real dialogue in the episode "Burning Down The House".
William James "WB" Barnett (played by Tim Reid) is Steven Hyde's biological father. Hyde originally thought Bud Hyde was his biological father until the cliffhanger between the 6th and 7th seasons, where Kitty discovers that Steven's real father is a man who lives in Milwaukee. Sometimes people call William Barnett by his initials, WB. Barnett is wealthy and owns Grooves, a chain of record stores. Barnett put Steven in charge of the Point Place record store along with his daughter (and Hyde's half sister), Angie. Barnett is black, which Hyde believes explains his "coolness, afro and suspicion of the man" (it can also be noted that when Hyde asked him who killed Kennedy his father stated "I don't know, because they don't want me to know"). WB's last on-screen appearance is in the first half of the series finale which is the twenty-first episode of the eighth season, "Love of My Life" (WB had already appeared in the fourteenth episode of that season, "Son and Daughter").
Intended recurring roles[edit]
Several characters on the series were written as recurring, but made only one appearance. Among them:
Tina Pinciotti (played by Amanda Fuller) was the younger sister of regular Donna Pinciotti. She first appeared in "Eric's Burger Job", but made no appearances following that, except for a brief mention in the episode "Vanstock". A similar situation occurred with unseen Valerie Pinciotti. The two are later written out with no explanation, as demonstrated in the season seven premiere, when Kitty refers to Donna as Bob and Midge's only daughter
Valerie Pinciotti was the older sister of Donna Pinciotti and Tina Pinciotti, who in "Eric's Birthday" was said to be away at college but never mentioned again.
Matthew and Rebecca Erdman (played by Kevin Farley and Shannon Holt) were the prudish host parents of Fez. They first appeared in "Drive-In" and convince Fez the rock they detest is diabolical by playing KISS album backwards. Fez's host parents make no further appearances in the show.
Buddy Morgan (played by Joseph Gordon-Levitt) was introduced in "Eric's Buddy", and was intended to become a recurring character. However, the introduction of homosexual Buddy as a love interest for Eric (at a time when both Eric and Hyde were competing for Donna) did not go over well with audiences, and Buddy was cut from the show.
Melissa (played by Reagan Gomez-Preston) appeared in "Hyde Gets the Girl" as a potential love interest for Hyde. She was intended to become his on-off girlfriend.
Patty (played by Lindsay Sloane) appeared in two episodes in the series' second season. She is introduced in "Eric Gets Suspended" along with her best friend, Mary (played by Melissa Joan Hart). The two go on a double blind date with Hyde and Fez. Hyde initially pairs with Mary, and Fez with Patty; but in the course of the date Hyde tells Fez to swap dates because he is hitting it off with Patty. Patty then returned in "Eric and Kitty's Night Out". In the episode, Fez and Patty become boyfriend and girlfriend. Patty's role and impact in the episode implies an intention to continue the character's appearance in the series. However, with no explanation in the show Patty is not seen or mentioned again.
References[edit]
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Animal fiber
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Fiber
Dyed wool
Natural fibers
Animal[show]
Alpaca
Angora
Byssus
Camel hair
Cashmere
Catgut
Chiengora
Guanaco
Llama
Mohair
Pashmina
Qiviut
Rabbit
Silk
Sinew
Spider silk
Wool
Vicuña
Yak
Plant[show]
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Pine
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Ramie
Sisal
Wood
Mineral[show]
Asbestos
Man-made fibers
Regenerated fibers[show]
Art silk
Semi-synthetic fibers[show]
Acetate
Diacetate
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Modal
Rayon
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Mineral[show]
Glass
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Acrylic
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Category: Fibers
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Animal fibers are natural fibers that consist largely of particular proteins. Instances are silk, hair/fur (including wool) and feathers. The animal fibers used most commonly both in the manufacturing world as well as by the hand spinners are wool from domestic sheep and silk. Also very popular are alpaca fiber and mohair from Angora goats. Unusual fibers such as Angora wool from rabbits and Chiengora from dogs also exist, but are rarely used for mass production.
Not all animal fibers have the same properties, and even within a species the fiber is not consistent. Merino is a very soft, fine wool, while Cotswold is coarser, and yet both merino and Cotswold are types of sheep. This comparison can be continued on the microscopic level, comparing the diameter and structure of the fiber. With animal fibers, and natural fibers in general, the individual fibers look different, whereas all synthetic fibers look the same. This provides an easy way to differentiate between natural and synthetic fibers under a microscope.
Contents
[hide]
1 Silk
2 Wool
2.1 Alpaca
2.2 Angora
2.3 Bison
2.4 Cashmere
2.5 Mohair
2.6 Sheep's wool
2.7 Qiviut
3 Fiber from other animals
4 Fibre
5 See also
6 References
Silk[edit]
Raw silk
Silk is a "natural" protein fiber, some forms of which can be woven into textiles. The best-known type of silk is obtained from cocoons made by the larvae of the silkworm Bombyx mori reared in captivity. Rearing of silks is called sericulture. Degummed fibers from B. mori are 5-10 μm in diameter. The shimmering appearance for which silk is prized comes from the fibers' triangular prism-like cross-sectional structure which allows silk cloth to refract incoming light at different angles.
The length of the silk fiber depends on how it has been prepared. Since the cocoon is made of one strand, if the cocoon is unwound carefully the fibers can be very long.
Spider silk is the strongest natural fiber known. The strongest dragline silk is five times stronger than steel and three times tougher than Kevlar. It is also highly elastic, the silk of the ogre-faced spider can be stretched six times its original length without damage. As of 2005, there is no synthetic material in production that can match spider silk, but it is actively being sought by the U.S. military for such applications as body armour, parachutes and rope. Genetically engineered goats have been raised to produce spider silk in their milk at a cost of around $1,500 per gram.[1][2]
Wool[edit]
Wool
Wool is the fiber derived from the fur of animals of the Caprinae family, principally sheep, but the hair of certain species of other mammals such as goats, alpacas, and rabbits may also be called wool.
Alpaca[edit]
Alpaca fiber is that of an alpaca. It is warmer than sheep's wool and lighter in weight. It is soft, fine, glossy, and luxurious. The thickness of quality fiber is between 12-29 micrometers. Most alpaca fiber is white, but it also comes in various shades of brown and black.
Angora[edit]
Angora wool or Angora fiber refers to the down coat produced by the Angora rabbit. There are many types of Angora rabbits - English, French, German and Giant. Angora is prized for its softness, thin fibers of around 12-16 micrometers for quality fiber, and what knitters refer to as a halo (fluffiness). The fiber felts very easily. Angora fiber comes in white, black, and various shades of brown.
Bison[edit]
Bison-hair gloves and a wool blanket used by a stagecoach company
Bison is the soft undercoat of the American Bison. The coat of the bison contains two different types of fiber. The main coat is made up of coarse fibers (average 59 micrometers) called guard hairs, and the downy undercoat (average 18.5 micrometers). This undercoat is shed annually and consists of fine, soft fibers which are very warm and protect the animal from harsh winter conditions. [3]
Cashmere[edit]
Cashmere wool is wool obtained from the Cashmere goat. Cashmere is characterized by its luxuriously soft fibers, with high napability and loft. In order for a natural goat fiber to be considered Cashmere, it must be under 18.5 micrometers in diameter and be at least 3.175 centimeters long. It is noted as providing a natural light-weight insulation without bulk. Fibers are highly adaptable and are easily constructed into fine or thick yarns, and light to heavy-weight fabrics.
Mohair[edit]
Mohair is a silk-like fabric or yarn made from the hair of the Angora goat. It is both durable and resilient. It is notable for its high luster and sheen, and is often used in fiber blends to add these qualities to a textile. Mohair also takes dye exceptionally well.
Sheep's wool[edit]
Wool has two qualities that distinguish it from hair or fur: it has scales which overlap like shingles on a roof and it is crimped; in some fleeces the wool fibers have more than 20 bends per inch. Wool varies in diameter from below 17 micrometers to over 35 micrometers. The finer the wool, the softer it will be, while coarser grades are more durable and less prone to pilling.
Qiviut[edit]
Qiviut is the fine underwool of the muskox. Qiviut fibers are long (about 5 to 8 cm), fine (between 15 and 20 micrometers in diameter), and relatively smooth. It is approximately eight times warmer than sheep's wool and does not felt or shrink.
Fiber from other animals[edit]
Hand spinners also use fiber from animals such as llamas, camels, yak, and possums. These fibers are generally used in clothing.
Hair from animals such as horses is also an animal fiber. Horsehair is used for brushes, the bows of musical instruments and many other things. The best artists brushes are made from Siberian weasel, many other fibers are used including ox hair and hog bristle. Camel-hair brushes are usually made from squirrel, cheaper ones from pony, but never camels. Chiengora is dog hair.
Fibre[edit]
Wool from a wide range of animals can be used for handicrafts and garments. The table below lists a variety of animal fibers and the approximate average diameter of each.
Handspun llama yarn from Patagonia
Average diameter of some of the finest, natural fibers[4]
Animal
Fiber diameter
(micrometres)
Vicuña 6–10
Alpaca (Suri) 10–15
Muskox (Qiviut) 11–13
Merino sheep 12–20
Angora rabbit (Angora wool) 13
Cashmere goat (Cashmere wool) 15–19
Yak (Yak fiber) 15–19
Camel (Camel hair) 16–25
Guanaco 16–18
Llama (Tapada) 20–30
Chinchilla 21
Angora goat (Mohair) 25–45
Huacaya alpaca 27.7
Llama (Ccara) 30–40
See also[edit]
Animal products
References[edit]
Jump up ^ Mark Carwardine, Animal Records, p. 212, Sterling Publishing Company, Inc., 2008 ISBN 1402756232.
Jump up ^ Mel Schwartz, New Materials, Processes, and Methods Technology, p. 644, CRC Press, 2005 ISBN 1420039342.
Jump up ^ http://www.buffalogold.net/store/index.php?option=com_content&view=article&id=18:bison-qwoolq-fiber&catid=7:faqs&Itemid=25[permanent dead link]
Jump up ^ Beula Williams (17 April 2007). "Llama Fiber". International Llama Association.
[hide]
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Animal
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Category
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NDL: 00561552
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Raising of Chicago
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During the 1850s and 1860s engineers carried out a piecemeal raising of the level of central Chicago. Streets, sidewalks and buildings were physically raised on hydraulic jacks or jackscrews. The work was funded by private property owners and public funds.
Contents
[hide]
1 Background
2 Earliest raising of a brick building
3 The Row on Lake Street
4 The Tremont House
5 The Robbins Building
6 Hydraulic raising of the Franklin House
7 Relocated buildings
8 See also
9 References
10 External links
Background[edit]
Advertisement in the Chicago Daily Tribune, 1858.[1]
During the 19th century, the elevation of the Chicago area was not much higher than the shorelines of Lake Michigan, so for many years there was little or no naturally occurring drainage from the city surface. The lack of drainage caused unpleasant living conditions, and standing water harbored pathogens that caused numerous epidemics. Epidemics including typhoid fever and dysentery blighted Chicago six years in a row culminating in the 1854 outbreak of cholera that killed six percent of the city’s population.[2][3][4][5]
The crisis forced the city's engineers and aldermen to take the drainage problem seriously and after many heated discussions[6][7]—and following at least one false start—a solution eventually materialized. In 1856, engineer Ellis S. Chesbrough drafted a plan for the installation of a citywide sewerage system and submitted it to the Common Council, which adopted the plan. Workers then laid drains, covered and refinished roads and sidewalks with several feet of soil, and raised most buildings to the new grade with hydraulic jacks.
Earliest raising of a brick building[edit]
In January 1858, the first masonry building in Chicago to be thus raised—a four-story, 70-foot (21 m) long, 750-ton brick structure situated at the north-east corner of Randolph Street and Dearborn Street—was lifted on two hundred jackscrews to its new grade, which was 6 feet 2 inches (1.88 m) higher than the old one, “without the slightest injury to the building.”[8] It was the first of more than fifty comparably large masonry buildings to be raised that year.[9] The contractor was Bostonian engineer James Brown, who went on to partner with longtime Chicago engineer James Hollingsworth; Brown and Hollingsworth became the first and, it seems, the busiest building raising partnership in the city. Before the year was out, they were lifting brick buildings more than 100 feet (30 m) long,[10] and the following spring they took the contract to raise a brick block more than twice that length again.[11]
The Row on Lake Street[edit]
Raising a block of buildings on Lake Street
By 1860, confidence was sufficiently high that a consortium of no fewer than six engineers—including Brown, Hollingsworth and George Pullman—took on one of the most impressive locations in the city and hoisted it up complete and in one go. They lifted half a city block on Lake Street, between Clark Street and LaSalle Street; a solid masonry row of shops, offices, printeries, etc., 320 feet (98 m) long, comprising brick and stone buildings, some four stories high, some five, having a footprint taking up almost one acre (4,000 m2) of space, and an estimated all in weight including hanging sidewalks of thirty five thousand tons. Businesses operating out of these premises were not closed down for the lifting; as the buildings were being raised, people came, went, shopped and worked in them as if nothing out of the ordinary were happening. In five days the entire assembly was elevated 4 feet 8 inches (1.42 m) in the air by a team consisting of six hundred men using six thousand jackscrews, ready for new foundation walls to be built underneath. The spectacle drew crowds of thousands, who were on the final day permitted to walk at the old ground level, among the jacks.[12][13][14][15]
The Tremont House[edit]
The following year a team led by Ely, Smith and Pullman raised the Tremont House hotel on the south-east corner of Lake Street and Dearborn Street. This building was luxuriously appointed, was of brick construction, was six stories high, and had a footprint taking up over 1 acre (4,000 m2) of space. Once again business as usual was maintained as this vast hotel parted from the ground it was standing on, and indeed some of the guests staying there at the time—among whose number were several VIPs and a US Senator—were completely oblivious to the feat as the five hundred men operating their five thousand jackscrews worked under covered trenches. One patron was puzzled to note that the front steps leading from the street into the hotel were becoming steeper every day and that when he checked out, the windows were several feet above his head, whereas before they had been at eye level. This huge hotel, which until just the previous year had been the tallest building in Chicago, was in fact raised fully 6 feet (1.8 m) without a hitch.[16][17][18][19][20][21][22][23][24][25]
The Robbins Building[edit]
Another notable feat was the raising of the Robbins Building, an iron building 150 feet (46 m) long, 80 feet (24 m) wide and five stories high, located at the corner of South Water Street and Wells Street. This was a very heavy building; its ornate iron frame, its twelve-inch (305 mm) thick masonry wall filling, and its “floors filled with heavy goods” made for a weight estimated at 27,000 tons, a large load to raise over a relatively small area. Hollingsworth and Coughlin took the contract and in November 1865 lifted not only the building but also the 230 feet (70 m) of stone sidewalk outside it. The complete mass of iron and masonry was raised 27.5 inches (0.70 m), “without the slightest crack or damage.”[26][27][28][29][30]
Hydraulic raising of the Franklin House[edit]
There is evidence in primary document sources that at least one building in Chicago, the Franklin House on Franklin Street, was raised hydraulically by the engineer John C. Lane,[31] of the Lane and Stratton partnership. These gentlemen had apparently been using this method of lifting buildings in San Francisco since 1853.[32]
Relocated buildings[edit]
The Briggs House—a brick hotel—raised, probably in 1866.[33]
Many of central Chicago’s hurriedly-erected wooden frame buildings were now considered wholly inappropriate to the burgeoning and increasingly wealthy city. Rather than raise them several feet, proprietors often preferred to relocate these old frame buildings, replacing them with new masonry blocks built to the latest grade. Consequently, the practice of putting the old multi-story, intact and furnished wooden buildings—sometimes entire rows of them en bloc—on rollers and moving them to the outskirts of town or to the suburbs was so common as to be considered nothing more than routine traffic. Traveller David Macrae wrote incredulously, “Never a day passed during my stay in the city that I did not meet one or more houses shifting their quarters. One day I met nine. Going out Great Madison Street in the horse cars we had to stop twice to let houses get across.” As discussed above, business did not suffer; shop owners would keep their shops open, even as people had to climb in through a moving front door.[34][35][36][37][38] Brick buildings also were moved from one location to another, and in 1866, the first of these—a building of two and a half stories—made the short move from Madison Street out to Monroe Street.[39] Later, many other brick buildings were rolled much greater distances across Chicago.
See also[edit]
Seattle Underground
Underground Atlanta
References[edit]
Jump up ^ Chicago Daily Tribune, January 29, 1858
Jump up ^ Chicago Daily Tribune, July 12, 1854
Jump up ^ Putnam’s Monthly Magazine, volume seven. (June 1856), page 610.
Jump up ^ Emmett Dedmon. Fabulous Chicago. Random House. 1953. Page 10.
Jump up ^ Bessie Louise Pierce, As Others See Chicago; Impressions of Visitors. University of Chicago Press. 1933, reprinted 2004. Page 100.
Jump up ^ Chicago Daily Tribune, May 31, 1855
Jump up ^ Chicago Daily Tribune, April 9, 1857
Jump up ^ Chicago Daily Tribune, January 26, 1858
Jump up ^ Chicago Daily Press and Tribune, January 1, 1859
Jump up ^ Chicago Daily Press and Tribune, October 4, 1858
Jump up ^ The Press and Tribune (Chicago), May 5, 1859
Jump up ^ The Press and Tribune (Chicago), March 9, 1860
Jump up ^ The Press and Tribune (Chicago), March 26, 1860
Jump up ^ The Press and Tribune (Chicago), March 29, 1860
Jump up ^ The Press and Tribune (Chicago), April 2, 1860
Jump up ^ Chicago Daily Tribune, January 22, 1861
Jump up ^ Chicago Daily Tribune, January 24, 1861
Jump up ^ Chicago Daily Tribune, February 12, 1861
Jump up ^ Chicago Daily Tribune, February 25, 1861
Jump up ^ Chicago Daily Tribune, February 26, 1861 (01)
Jump up ^ Chicago Daily Tribune, February 26, 1861 (02)
Jump up ^ Chicago Daily Tribune, February 27, 1861
Jump up ^ Chicago Daily Tribune, March 15, 1861
Jump up ^ Chicago Daily Tribune, July 26, 1861
Jump up ^ David Macrae, The Americans at Home: Pen-and-Ink Sketches of American Men, Manners and Institutions, Volume Two (of two), Edmonston & Douglas, 1870, pages 190-193, and reprinted by Lost Cause Press, Louisville, 1964.[1]
Jump up ^ Chicago Tribune, October 31, 1865
Jump up ^ Chicago Tribune, November 14, 1865
Jump up ^ Chicago Tribune, November 17, 1865
Jump up ^ Chicago Tribune, November 20, 1865
Jump up ^ The Times (London), December 12, 1865
Jump up ^ The Press and Tribune (Chicago), April 30, 1860
Jump up ^ The Press and Tribune (Chicago), July 14, 1859
Jump up ^ Chicago Tribune, February 7, 1866
Jump up ^ David Macrae, The Americans at Home: Pen-and-Ink Sketches of American Men, Manners and Institutions, Volume Two (of two), Edmonston & Douglas, 1870, pages 190-193, and reprinted by Lost Cause Press, Louisville, 1964.[2]
Jump up ^ Chicago Daily Tribune, April 18, 1856
Jump up ^ Chicago Daily Press and Tribune, December 20, 1858
Jump up ^ Chicago Daily Press and Tribune, March 9, 1860
Jump up ^ The Press and Tribune (Chicago), April 12, 1860
Jump up ^ Chicago Tribune, August 9, 1866
External links[edit]
The Lifting of Chicago: Source Page Primary Document Sources.
Raising Chicago: An Illustrated History
Retrieved from "https://en.wikipedia.org/w/index.php?title=Raising_of_Chicago&oldid=808383306"
Categories:
History of Chicago
Sewerage
Civil engineering
Building engineering
1850s in Illinois
1860s in Illinois
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