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Location shooting
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Mike Chin on location in Chinatown's Portsmouth Square in San Francisco, California filming a low budget movie in 1983
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot.[1] The location may be interior or exterior.
The filming location may be the same in which the story is set (for example, scenes in the film The Interpreter were set and shot inside the United Nations building), or it may stand in for a different locale (the films Amadeus and The Illusionist were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot.
Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce.
Contents
[hide]
1 Pros and cons
2 Practicalities
3 See also
4 References
5 External links
Pros and cons[edit]
Between shoots for The Sorcerer's Apprentice at Bowling Green in New York City, lighting equipment was parked on Broadway.
Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often be far lower than that of constructing sets in a studio. The illusion of reality can also be stronger; on a set, it is hard to replicate real-world wear and tear, as well as architectural details, and the vastness of a city is difficult to recreate on a backlot. Shooting outside of the home country is sometimes used to bypass union rules, labor regulations, or work stoppages. It can also allow "frozen" currency to be used: the 1968 movie Kelly's Heroes was filmed in Yugoslavia using profits that had been made on movie exhibitions in that country but could not be exported.[citation needed]
Conversely, there are a number of reasons why a production may choose not to shoot on location. Shooting on a set gives the crew a greater control over the environment: a room may be created to the exacting specifications of the story, for example, and there is no need to shut down street traffic when shooting on a backlot. Additionally, a given location may have inconvenient restrictions. The convenience store where Clerks was shot was open during the day, so the crew could only shoot at night; this necessitated the shutters on the windows be closed to hide the fact that it was dark outside.
Location shooting often takes place close to the studio; in Hollywood films, this region is delineated in union agreements and is known as the studio zone. Many location shoots, however, are far from the home studio, sometimes on the other side of the world. In these instances, location shooting can provide significant economic development benefits to the area in which they are shot. Cast and crew heavily rely upon local facilities such as catering, transportation, and accommodations. A film that becomes a blockbuster hit can introduce movie audiences around the world to a visually breathtaking location that they were previously unaware of, as the Lord of the Rings trilogy did for New Zealand. This can boost tourism for years or even decades.
Practicalities[edit]
The Mayor's Office of Film, Theatre and Broadcasting in New York City helps keep cars from parking near shooting locations
Location shooting usually requires a location manager, and locations are usually chosen by a location scout. Many popular locations, such as New York City in the United States, Toronto in Canada, and the Isle of Man in the United Kingdom, have dedicated film offices to encourage location shooting, and to suggest appropriate locations to film-makers.
In many cases a second unit is dispatched to film on location, with a second unit director and sometimes with stand-in actors. These shots can then be edited into the final film or TV program alongside studio-shot sequences, to give an authentic flavor, without the expense or trouble of a full-scale location shoot. NYPD Blue, for example, was filmed primarily in Los Angeles, but used second unit footage of New York City for color, as well as featuring a small number of episodes filmed on location with the cast.
See also[edit]
Filming location
Location library
Filmmaking
References[edit]
Jump up ^ "Shooting on Location Guide to global pre-production location research". Retrieved March 29, 2012.
External links[edit]
Wikimedia Commons has media related to Location shooting.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Location_shooting&oldid=833758691"
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Cinematic techniques
Film location shooting
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Praise, My Soul, the King of Heaven
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Praise, My Soul, the King of Heaven is a Christian hymn. Its text, which draws from Psalm 103, was written by Anglican divine (clergyman) Henry Francis Lyte.[1] The hymn is frequently sung in the United Kingdom and was used in the 1947 royal wedding of H.R.H. the Princess Elizabeth, now Queen Elizabeth II, and Prince Philip, Duke of Edinburgh.[1]
Lyrics[edit]
Praise, my soul, the King of Heaven;
To His feet thy tribute bring.
Ransomed, healed, restored, forgiven,
Who like thee His praise should sing
Praise Him ! Praise Him!
Praise the everlasting King.

Praise Him for His grace and favour
To our fathers in distress.
Praise Him still the same for ever,
Slow to chide, and swift to bless
Praise Him ! Praise Him!
Glorious in His faithfulness.

Father-like He tends and spares us;
Well our feeble frame He knows.
In His hands He gently bears us,
Rescues us from all our foes.
Praise Him ! Praise Him !
Widely as His mercy flows

Angels, in the height adore Him
Ye behold Him face to face;
Sun and moon, bow down before Him,
Dwellers all in time and space
Praise Him ! Praise Him !
Praise with us the God of grace.
There is a fifth stanza to the poem, not often seen, inserted between the third and fourth stanzas above:
Frail as summer's flower we flourish,
Blows the wind and it is gone;
But while mortals rise and perish
God endures unchanging on,
Praise Him, praise Him,
Praise Him, praise Him,
Praise the High Eternal One!
References[edit]
^ Jump up to: a b Randy Petersen (2014). Be Still, My Soul The Inspiring Stories Behind 175 of the Most-loved Hymns. Tyndale House Publishers. p. 267. ISBN 978-1-4143-7972-2.
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