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List of Chicago P.D. episodes
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Chicago P.D. is an American television drama on NBC spun off from Chicago Fire. The series focuses on a uniformed police patrol and the Intelligence Unit that pursues the perpetrators of the city's major street offenses. The series premiered on January 8, 2014. On May 10, 2017, NBC renewed the series for a fifth season, which premiered on September 27, 2017.[1][2]
As of April 18, 2018,[update] 104 episodes of Chicago P.D. have aired.
Contents
[hide]
1 Series overview
2 Episodes
2.1 Backdoor pilot (2013)
2.2 Season 1 (2014)
2.3 Season 2 (2014–15)
2.4 Season 3 (2015–16)
2.5 Season 4 (2016–17)
2.6 Season 5 (2017–18)
3 Home media
4 See also
5 References
6 External links
Series overview[edit]
Season
Episodes
Originally aired
Nielsen Ratings
First aired
Last aired
Rank
Average viewers
(million)
Pilot May 15, 2013 (2013-05-15) N/A 6.90[3]
1 15 January 8, 2014 (2014-01-08) May 21, 2014 (2014-05-21) 55 8.03[4]
2 23 September 24, 2014 (2014-09-24) May 20, 2015 (2015-05-20) 51 8.74[5]
3 23 September 30, 2015 (2015-09-30) May 25, 2016 (2016-05-25) 47 8.71[6]
4 23 September 21, 2016 (2016-09-21) May 17, 2017 (2017-05-17) 36 8.48[7]
5 22 September 27, 2017 (2017-09-27) May 9, 2018 (2018-05-09) TBA TBA
Episodes[edit]
Backdoor pilot (2013)[edit]
Main article: Chicago Fire (season 1)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
23
23 "Let Her Go" Joe Chappelle Story by: Dick Wolf & Matt Olmstead
Teleplay by: Michael Brandt & Derek Haas May 15, 2013 (2013-05-15) 6.90[3]
Season 1 (2014)[edit]
Main article: Chicago P.D. (season 1)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
1
1 "Stepping Stone" Michael Slovis Matt Olmstead January 8, 2014 (2014-01-08) 8.59[8]
2
2 "Wrong Side of the Bars" Joe Chappelle Michael Brandt & Derek Haas January 15, 2014 (2014-01-15) 5.50[9]
3
3 "Chin Check" Sanford Bookstaver David Hoselton January 22, 2014 (2014-01-22) 6.24[10]
4
4 "Now Is Always Temporary" Mark Tinker Denitria Harris-Lawrence January 29, 2014 (2014-01-29) 6.89[11]
5
5 "Thirty Balloons" Karen Gaviola Craig Gore & Tim Walsh February 5, 2014 (2014-02-05) 6.00[12]
6
6 "Conventions" Alik Sakharov Maisha Closson February 26, 2014 (2014-02-26) 8.00[13]
7
7 "The Price We Pay" Mark Tinker Michael Brandt & Derek Haas March 5, 2014 (2014-03-05) 6.05[14]
8
8 "Different Mistakes" Fred Berner Bryan Garcia March 12, 2014 (2014-03-12) 5.84[15]
9
9 "A Material Witness" Sanford Bookstaver Michael Batistick March 19, 2014 (2014-03-19) 5.74[16]
10
10 "At Least It's Justice" Michael Slovis Craig Gore & Tim Walsh April 2, 2014 (2014-04-02) 5.75[17]
11
11 "Turn the Light Off" Nick Gomez David Hoselton April 9, 2014 (2014-04-09) 6.49[18]
12
12 "8:30 PM" Mark Tinker Story by: Dick Wolf & Matt Olmstead
Teleplay by: Michael Brandt & Derek Haas April 30, 2014 (2014-04-30) 7.28[19]
13
13 "My Way" Karen Gaviola Matt Olmstead & Michael Batistick May 7, 2014 (2014-05-07) 5.39[20]
14
14 "The Docks" Nick Gomez Craig Gore & Tim Walsh May 14, 2014 (2014-05-14) 6.06[21]
15
15 "A Beautiful Friendship" Mark Tinker Story by: Michael Batistick
Teleplay by: Michael Brandt & Derek Haas May 21, 2014 (2014-05-21) 6.27[22]
Season 2 (2014–15)[edit]
Main article: Chicago P.D. (season 2)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
16
1 "Call It Macaroni" Mark Tinker Matt Olmstead September 24, 2014 (2014-09-24) 8.51[23]
17
2 "Get My Cigarettes" Arthur W. Forney Craig Gore & Tim Walsh October 1, 2014 (2014-10-01) 6.63[24]
18
3 "The Weigh Station" Nick Gomez Michael Batistick October 8, 2014 (2014-10-08) 6.67[25]
19
4 "Chicken, Dynamite, Chainsaw" Reza Tabrizi Mo Masi October 15, 2014 (2014-10-15) 6.78[26]
20
5 "An Honest Woman" Mark Tinker Michael Weiss October 22, 2014 (2014-10-22) 6.85[27]
21
6 "Prison Ball" Sanford Bookstaver Eduardo Javier Canto & Ryan Maldonado November 5, 2014 (2014-11-05) 6.15[28]
22
7 "They'll Have to Go Through Me" Sanford Bookstaver Story by: Dick Wolf & Matt Olmstead
Teleplay by: Maisha Closson November 12, 2014 (2014-11-12) 9.54[29]
23
8 "Assignment of the Year" Nick Gomez Mick Betancourt November 19, 2014 (2014-11-19) 7.29[30]
24
9 "Called in Dead" Alik Sakharov Craig Gore & Tim Walsh December 10, 2014 (2014-12-10) 6.71[31]
25
10 "Shouldn't Have Been Alone" Fred Berner Michael Weiss January 7, 2015 (2015-01-07) 7.41[32]
26
11 "We Don't Work Together Anymore" Mario Van Peebles Michael Bastick & Mo Masi January 14, 2015 (2015-01-14) 6.77[33]
27
12 "Disco Bob" Holly Dale Maisha Closson & Cole Maliska January 21, 2015 (2015-01-21) 7.00[34]
28
13 "A Little Devil Complex" Steve Shill Michael Brandt & Derek Haas February 4, 2015 (2015-02-04) 7.58[35]
29
14 "Erin's Mom" Mark Tinker Craig Gore & Tim Walsh February 11, 2015 (2015-02-11) 6.58[36]
30
15 "What Do You Do" Nick Gomez Michael Brandt & Derek Haas February 18, 2015 (2015-02-18) 7.08[37]
31
16 "What Puts You On That Ledge" Fred Berner Eduardo Javier Canto & Ryan Maldonado February 25, 2015 (2015-02-25) 7.43[38]
32
17 "Say Her Real Name" Nick Gomez Story by: Dick Wolf & Matt Olmstead
Teleplay by: Craig Gore & Tim Walsh March 25, 2015 (2015-03-25) 6.34[39]
33
18 "Get Back to Even" Jann Turner Michael Weiss April 1, 2015 (2015-04-01) 6.59[40]
34
19 "The Three Gs" Sanford Bookstaver Craig Gore & Tim Walsh April 8, 2015 (2015-04-08) 6.73[41]
35
20 "The Number of Rats" Nick Gomez Story by: Matt Olmstead & Warren Leight
Teleplay by: Matt Olmstead & Cole Maliska April 29, 2015 (2015-04-29) 8.07[42]
36
21 "There's My Girl" Mark Tinker Michael Batstick & Mo Masi May 6, 2015 (2015-05-06) 6.54[43]
37
22 "Push The Pain Away" Sanford Bookstaver Story by: Eduardo Javier Canto & Ryan Maldonado
Teleplay by: Michael Weiss May 13, 2015 (2015-05-13) 6.94[44]
38
23 "Born Into Bad News" Mark Tinker Craig Gore & Tim Walsh May 20, 2015 (2015-05-20) 7.21[45]
Season 3 (2015–16)[edit]
Main article: Chicago P.D. (season 3)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
39
1 "Life is Fluid" Arthur W. Forney Craig Gore & Tim Walsh September 30, 2015 (2015-09-30) 6.65[46]
40
2 "Natural Born Storyteller" Mark Tinker Mike Weiss October 7, 2015 (2015-10-07) 6.49[47]
41
3 "Actual Physical Violence" Fred Berner Eduardo Javier Canto & Ryan Maldonado October 14, 2015 (2015-10-14) 6.58[48]
42
4 "Debts of the Past" Rohn Schmidt Michael Brandt & Derek Haas October 21, 2015 (2015-10-21) 6.24[49]
43
5 "Climbing Into Bed" Mark Tinker Cole Maliska October 28, 2015 (2015-10-28) 6.14[50]
44
6 "You Never Know Who's Who" Lin Oeding Craig Gore & Tim Walsh October 28, 2015 (2015-10-28) 6.14[50]
45
7 "A Dead Kid, a Notebook and a Lot of Maybes" Charlotte Brändström Timothy J. Sexton November 4, 2015 (2015-11-04) 6.48[51]
46
8 "Forget My Name" Nick Gomez Mike Weiss November 11, 2015 (2015-11-11) 6.79[52]
47
9 "Never Forget I Love You" Terry Miller Story by: Ryan Maldonado & Eduardo Javier Canto
Teleplay by: Craig Gore & Tim Walsh November 18, 2015 (2015-11-18) 6.47[53]
48
10 "Now I'm God" Holly Dale Jamie Pachino January 6, 2016 (2016-01-06) 8.75[54]
49
11 "Knocked The Family Right Out" Mark Tinker Mo Masi January 13, 2016 (2016-01-13) 7.99[55]
50
12 "Looking Out For Stateville" Fred Berner Craig Gore & Tim Walsh January 20, 2016 (2016-01-20) 6.52[56]
51
13 "Hit Me" Rohn Schmidt Mike Weiss & Cole Maliska February 3, 2016 (2016-02-03) 7.22[57]
52
14 "The Song of Gregory Williams Yates" Michael Grossman Jamie Pachino February 10, 2016 (2016-02-10) 8.28[58]
53
15 "A Night Owl" Nick Gomez Timothy J. Sexton February 17, 2016 (2016-02-17) 7.45[59]
54
16 "The Cases that Need to be Solved" Jean de Segonzac Matt Olmstead February 24, 2016 (2016-02-24) 6.99[60]
55
17 "Forty-Caliber Bread Crumb" Jann Turner Craig Gore & Tim Walsh March 2, 2016 (2016-03-02) 7.17[61]
56
18 "Kasual with a K" David Rodriguez Eduardo Javier Canto & Ryan Maldonado March 23, 2016 (2016-03-23) 6.27[62]
57
19 "If We Were Normal" Mark Tinker Mo Masi March 30, 2016 (2016-03-30) 6.79[63]
58
20 "In A Duffel Bag" Nick Gomez Jamie Pachino May 4, 2016 (2016-05-04) 6.32[64]
59
21 "Justice" Jean de Segonzac Story by: Dick Wolf
Teleplay by: Michael Brandt & Derek Haas & Matt Olmstead May 11, 2016 (2016-05-11) 6.75[65]
60
22 "She's Got Us" Lin Oeding Mike Weiss May 18, 2016 (2016-05-18) 6.93[66]
61
23 "Start Digging" Mark Tinker Craig Gore & Tim Walsh May 25, 2016 (2016-05-25) 6.88[67]
Season 4 (2016–17)[edit]
Main article: Chicago P.D. (season 4)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
62
1 "The Silos" Mark Tinker Matt Olmstead September 21, 2016 (2016-09-21) 6.87[68]
63
2 "Made a Wrong Turn" Fred Berner Craig Gore & Tim Walsh September 28, 2016 (2016-09-28) 6.14[69]
64
3 "All Cylinders Firing" Nick Gomez Mike Weiss October 5, 2016 (2016-10-05) 6.22[70]
65
4 "Big Friends, Big Enemies" Rohn Schmidt Gwen Sigan October 12, 2016 (2016-10-12) 6.15[71]
66
5 "A War Zone" Eriq La Salle Tiller Russell October 26, 2016 (2016-10-26) 5.82[72]
67
6 "Some Friend" Mark Tinker Timothy J. Sexton November 9, 2016 (2016-11-09) 5.70[73]
68
7 "300,000 Likes" Charlotte Brandström Jamie Pachino November 16, 2016 (2016-11-16) 6.11[74]
69
8 "A Shot Heard Around the World" Terry Miller Matt Olmstead & Gwen Sigan November 16, 2016 (2016-11-16) 6.11[74]
70
9 "Don't Bury This Case" Cherie Nowlan Craig Gore & Tim Walsh January 3, 2017 (2017-01-03) 7.89[75]
71
10 "Don't Read the News" Nick Gomez Mike Weiss January 4, 2017 (2017-01-04) 6.30[76]
72
11 "You Wish" Mark Tinker Tiller Russell January 11, 2017 (2017-01-11) 6.60[77]
73
12 "Sanctuary" John Hyams Timothy J. Sexton January 18, 2017 (2017-01-18) 7.11[78]
74
13 "I Remember Her Now" David Rodriguez Gwen Sigan February 8, 2017 (2017-02-08) 6.27[79]
75
14 "Seven Indictments" Mark Tinker Jamie Pachino February 15, 2017 (2017-02-15) 6.68[80]
76
15 "Favor, Affection, Malice or Ill-Will" Holly Dale Craig Gore & Tim Walsh February 22, 2017 (2017-02-22) 6.68[81]
77
16 "Emotional Proximity" Reza Tabrizi Matt Olmstead March 1, 2017 (2017-03-01) 9.59[82]
78
17 "Remember the Devil" Rohn Schmidt Mike Weiss March 22, 2017 (2017-03-22) 6.39[83]
79
18 "Little Bit of Light" Lin Oeding Gwen Sigan March 29, 2017 (2017-03-29) 6.10[84]
80
19 "Last Minute Resistance" John Hyams Timothy J. Sexton April 5, 2017 (2017-04-05) 6.52[85]
81
20 "Grasping for Salvation" David Rodriguez Tiller Russell April 26, 2017 (2017-04-26) 6.27[86]
82
21 "Fagin" Fred Berner Craig Gore & Tim Walsh May 3, 2017 (2017-05-03) 6.15[87]
83
22 "Army of One" John Whitesell Tiller Russell & Timothy J. Sexton May 10, 2017 (2017-05-10) 6.17[88]
84
23 "Fork in the Road" Mark Tinker Mike Weiss May 17, 2017 (2017-05-17) 6.50[89]
Season 5 (2017–18)[edit]
Main article: Chicago P.D. (season 5)
No.
overall
No. in
season
Title
Directed by
Written by
Original air date
U.S. viewers
(millions)
85
1 "Reform" Eriq La Salle Rick Eid September 27, 2017 (2017-09-27) 6.11[90]
86
2 "The Thing About Heroes" Rohn Schmidt John Dove October 4, 2017 (2017-10-04) 6.19[91]
87
3 "Promise" John Whitesell Timothy J. Sexton October 11, 2017 (2017-10-11) 6.07[92]
88
4 "Snitch" Terry Miller Teleplay by: Rick Eid
Story by: Rick Eid & Gavin Harris October 18, 2017 (2017-10-18) 5.79[93]
89
5 "Home" Eriq La Salle Sharon Lee Watson October 25, 2017 (2017-10-25) 6.16[94]
90
6 "Fallen" Nick Gomez Gavin Harris November 8, 2017 (2017-11-08) 5.16[95]
91
7 "Care Under Fire" Lily Mariye Gwen Sigan November 15, 2017 (2017-11-15) 6.39[96]
92
8 "Politics" Mark Tinker Kinan Copen November 29, 2017 (2017-11-29) 6.95[97]
93
9 "Monster" Valerie Weiss Timothy J. Sexton December 6, 2017 (2017-12-06) 6.52[98]
94
10 "Rabbit Hole" Carl Seaton Rick Eid & Gwen Sigan January 3, 2018 (2018-01-03) 6.78[99]
95
11 "Confidential" Mark Tinker Rick Eid & Sharon Lee Watson January 10, 2018 (2018-01-10) 6.86[100]
96
12 "Captive" Eriq La Salle Gavin Harris January 17, 2018 (2018-01-17) 6.66[101]
97
13 "Chasing Monsters" Terry Miller John Dove January 31, 2018 (2018-01-31) 6.72[102]
98
14 "Anthem" John Hyams Timothy J. Sexton February 7, 2018 (2018-02-07) 7.25[103]
99
15 "Sisterhood" Rohn Schmidt Rick Eid & Katherine Visconti February 28, 2018 (2018-02-28) 6.09[104]
100
16 "Profiles" Eriq La Salle Gwen Sigan March 7, 2018 (2018-03-07) 6.62[105]
101
17 "Breaking Point" Terry Miller Sharon Lee Watson March 14, 2018 (2018-03-14) 6.54[106]
102
18 "Ghosts" Nick Gomez Gavin Harris March 21, 2018 (2018-03-21) 6.92[107]
103
19 "Payback" Nicole Rubio Teleplay by: John Dove & Timothy J. Sexton
Story by: John Dove April 11, 2018 (2018-04-11) 5.89[108]
104
20 "Saved" Paul McCrane Gwen Sigan April 18, 2018 (2018-04-18) 6.62[109]
105
21 "Allegiance"[110] TBA TBA May 2, 2018 (2018-05-02) TBD
106
22 "Homecoming"[111] TBA TBA May 9, 2018 (2018-05-09) TBD
Home media[edit]
Season
Episodes
DVD release dates
Bonus features
Region 1
Region 2
Region 4
Discs
1 15 September 2, 2014[112] April 27, 2015[113] April 2, 2015[114] 4
Chicago Fire Episode "A Dark Day"—The beginning of a two-part crossover event that concludes with "8:30 PM"
"Professional Courtesy"—Bonus Episode from Chicago Fire Season One
2 23 September 1, 2015[115] October 26, 2015[116] December 3, 2015[117] 6
Behind the Scenes
Chicago Fire Season 3 Crossover Episodes "Nobody Touches Anything",[a] "Three Bells"[b] and "We Called Her Jellybean"[c]
Law & Order: SVU Season 16 Crossover Episodes "Chicago Crossover"[a] and "Daydream Believer"[c]
3 23 September 13, 2016[118] October 24, 2016[119] October 26, 2016[120] 6
Behind the Scenes
Chicago Fire Season 4 Crossover Episode "The Beating Heart"[d]
Chicago Med Season 1 Crossover Episode "Malignant"[d]
Law & Order: SVU Season 17 Crossover Episode "Nationwide Manhunt"[e]
4 23 September 12, 2017[121] October 4, 2017[122] 6
Chicago Fire Season 5 Crossover Episodes "Some Make It, Some Don't"[f] and "Deathtrap"[g]
Chicago Justice Season 1 Crossover Episode "Fake"[g]
^ Jump up to: a b "Nobody Touches Anything" and "Chicago Crossover" are parts one and two of the crossover event that concludes with "They'll Have to Go Through Me".
Jump up ^ "Three Bells" is part one of the crossover event that concludes with "A Little Devil Complex".
^ Jump up to: a b "We Called Her Jellybean" and "Daydream Believer" are parts one and three of the crossover that continues with "The Number of Rats".
^ Jump up to: a b "The Beating Heart" and "Malignant" are parts one and two of the crossover event that concludes with "Now I'm God".
Jump up ^ "Nationwide Manhunt" is part one of the crossover event that concludes with "The Song of Gregory William Yates".
Jump up ^ "Some Make It, Some Don't" is part one of the crossover event that concludes with "Don't Bury This Case".
^ Jump up to: a b "Deathtrap" and "Fake" are parts one and three of the crossover event that continues with "Emotional Proximity".
See also[edit]
List of Chicago Fire episodes
List of Chicago Med episodes
References[edit]
Jump up ^ Andreeva, Nellie (May 10, 2017). "'Chicago Fire', 'Chicago PD' & 'Chicago Med' Renewed, No Decision On 'Justice'". Deadline. Retrieved May 10, 2017.
Jump up ^ "NBC Announces Fall Premiere Dates for New 2017–18 Season". The Futon Critic. June 19, 2017. Retrieved June 19, 2017.
^ Jump up to: a b Kondolojy, Amanda (May 16, 2013). "Wednesday Final Ratings: 'Chicago Fire', 'Modern Family', 'American Idol', 'Criminal Minds' & 'Supernatural' Adjusted Up; 'Nashville' Adjusted Down". TV by the Numbers. Retrieved May 23, 2017.
Jump up ^ Deadline Team, The (May 23, 2014). "Full 2013–14 Series Rankings". Retrieved May 23, 2014.
Jump up ^ "Full 2014–15 Series Rankings". Deadline Hollywood. May 22, 2015. Archived from the original on May 22, 2015. Retrieved May 22, 2015.
Jump up ^ de Moraes, Lisa (May 26, 2016). "Full 2015–16 TV Season Series Rankings: 'Blindspot', 'Life In Pieces' & 'Quantico' Lead Newcomers". Deadline Hollywood. Retrieved May 26, 2016.
Jump up ^ de Moraes, Lisa (May 25, 2017). "Final 2016–17 TV Rankings: 'Sunday Night Football' Winning Streak Continues". Deadline Hollywood. Retrieved May 25, 2017.
Jump up ^ Bibel, Sara (January 9, 2014). "Wednesday Final Ratings: 'People's Choice Awards' Adjusted Up; 'Revolution' & 'Super Fun Night' Adjusted Down". TV by the Numbers. Retrieved January 9, 2014.
Jump up ^ Kondolojy, Amanda (January 16, 2014). "Wednesday Final Ratings: 'American Idol' Adjusted Up; 'Law and Order: SVU', 'The Tomorrow People' & 'Super Fun Night' Adjusted Down". TV by the Numbers. Retrieved January 16, 2014.
Jump up ^ Bibel, Sara (January 23, 2014). "Wednesday Final Ratings: 'Arrow' & 'The Middle' Adjusted Up; 'Modern Family' Adjusted Down". TV by the Numbers. Retrieved January 23, 2014.
Jump up ^ Kondolojy, Amanda (January 30, 2014). "Wednesday Final Ratings: 'Arrow', 'Law and Order: SVU' & 'The Tomorrow People' Adjusted Up". TV by the Numbers. Retrieved January 30, 2014.
Jump up ^ Bibel, Sara (February 6, 2014). "Wednesday Final Ratings: 'Super Fun NIght' Adjusted Down". TV by the Numbers. Retrieved February 6, 2014.
Jump up ^ Kondolojy, Amanda (February 27, 2014). "Wednesday Final Ratings: 'American Idol' & 'Nashville' Adjusted Up; 'Survivor', 'The Middle', 'Mixology', 'Suburgatory' & 'Criminal Minds' Adjusted Down". TV by the Numbers. Retrieved February 27, 2014.
Jump up ^ Bibel, Sara (March 6, 2014). "Wednesday Final Ratings: 'Modern Family', 'Mixology' & 'Nashville' Adjusted Up". TV by the Numbers. Retrieved March 6, 2014.
Jump up ^ Kondolojy, Amanda (March 13, 2014). "Wednesday Final Ratings: 'The Middle', 'Suburgatory' & 'Modern Family' Adjusted Up". TV by the Numbers. Retrieved March 13, 2014.
Jump up ^ Bibel, Sara (March 20, 2014). "Wednesday Final Ratings: 'Survivor' Adjusted Up; No Adjustment for 'The 100'". TV by the Numbers. Retrieved March 20, 2014.
Jump up ^ Bibel, Sara (April 3, 2014). "Wednesday Final Ratings: 'Survivor', 'The Middle', 'Suburgatory', 'Modern Family' & 'Criminal Minds' Adjusted Up; 'CSI' Adjusted Down". TV by the Numbers. Retrieved April 3, 2014.
Jump up ^ Kondolojy, Amanda (April 10, 2014). "Wednesday Final Ratings: 'Law and Order: SVU' & 'Mixology' Adjusted Up; No Adjustment for 'The 100'". TV by the Numbers. Retrieved April 10, 2014.
Jump up ^ Bibel, Sara (May 1, 2014). "Wednesday Final Ratings: 'Survivor', 'American Idol' & 'Suburgatory' Adjusted Up; 'Revolution' & 'CSI' Adjusted Down". TV by the Numbers. Retrieved May 1, 2014.
Jump up ^ Kondolojy, Amanda (May 8, 2014). "Wednesday Final Ratings: 'The Middle', 'Arrow', 'American Idol', 'Modern Family', 'Law & Order: SVU' & 'Suburgatory' Adjusted Up". TV by the Numbers. Retrieved May 8, 2014.
Jump up ^ Bibel, Sara (May 15, 2014). "Wednesday Final Ratings: 'Revolution', 'Arrow', 'Survivor', 'Suburgatory', 'Modern Family' & 'Law & Order: SVU' Adjusted Up; 'Chicago P.D.' Adjusted Down". TV by the Numbers. Retrieved May 15, 2014.
Jump up ^ Kondolojy, Amanda (May 22, 2014). "Wednesday Final Ratings: 'Survivor', 'The Middle' & 'Modern Family' Adjusted Up; 'Survivor: Reunion' Adjusted Down". TV by the Numbers. Retrieved May 22, 2014.
Jump up ^ Kondolojy, Amanda (September 25, 2014). "Wednesday Final Ratings: 'The Middle', 'The Goldbergs', 'Modern Family', 'Law and Order: SVU' & 'Red Band Society' Adjusted Up". TV by the Numbers. Retrieved September 25, 2014.
Jump up ^ Bibel, Sara (October 2, 2014). "Wednesday Final Ratings: 'Modern Family', 'The Middle', 'The Goldbergs', 'black-ish', 'The Mysteries of Laura' & 'Nashville' Adjusted Up; 'Chicago P.D.' Adjusted Down". TV by the Numbers. Retrieved October 2, 2014.
Jump up ^ Bibel, Sara (October 16, 2014). "Revised Wednesday, October 8 Final Ratings: 'The Flash' Encore Adjusted Up; 'The Middle', 'The Goldbergs', 'Modern Family', 'black-ish' & 'Nashville' Adjusted Down". TV by the Numbers. Retrieved October 16, 2014.
Jump up ^ Bibel, Sara (October 16, 2014). "Wednesday Final Ratings: 'The Mysteries of Laura', 'Modern Family' & 'Red Band Society' Adjusted Up". TV by the Numbers. Retrieved October 16, 2014.
Jump up ^ Kondolojy, Amanda (October 23, 2014). "Wednesday Final Ratings: 'The Middle', 'The Goldbergs', 'Modern Family' & 'Criminal Minds' Adjusted Up; 'black-ish' Adjusted Down + Final World Series Numbers". TV by the Numbers. Retrieved October 23, 2014.
Jump up ^ Kondolojy, Amanda (November 6, 2014). "Wednesday Final Ratings: 'Arrow', 'The Mysteries of Laura' & 'Chicago P.D.' Adjusted Up; 'The 100' Adjusted Down". TV by the Numbers. Retrieved November 6, 2014.
Jump up ^ Bibel, Sara (November 13, 2014). "Wednesday Final Ratings: 'Modern Family' Adjusted Up; 'The 100' Adjusted Down". TV by the Numbers. Retrieved November 13, 2014.
Jump up ^ Kondolojy, Amanda (November 20, 2014). "Wednesday Final Ratings: 'Stalker' Adjusted Down + No Adjustment for 'The 100', 'Red Band Society' or 'Nashville'". TV by the Numbers. Retrieved November 20, 2014.
Jump up ^ Bibel, Sara (December 11, 2014). "Wednesday Final Ratings: 'Arrow', 'Hell's Kitchen' & 'Chicago P.D.' Adjusted Up". TV by the Numbers. Retrieved December 11, 2014.
Jump up ^ Bibel, Sara (January 9, 2015). "Wednesday Final Ratings: No Adjustments Beyond Previously Released Increases for 'Empire' & 'American Idol'". TV by the Numbers. Retrieved January 9, 2015.
Jump up ^ Kondolojy, Amanda (January 16, 2015). "Wednesday Final Ratings: 'American Idol' & 'The Mentalist' Adjusted Up; 'The Mysteries of Laura' and 'Blackish' Adjusted Down". TV by the Numbers. Retrieved January 16, 2015.
Jump up ^ Bibel, Sara (January 22, 2015). "Wednesday Final Ratings: 'Empire', 'American Idol', 'Criminal Minds' & 'Law & Order: SVU' Adjusted Up; 'The 100' Adjusted Down". TV by the Numbers. Retrieved January 22, 2015.
Jump up ^ Bibel, Sara (February 5, 2015). "Wednesday Final Ratings: 'American Idol' Adjusted Up, 'Fresh Off the Boat' & 'The 100' Adjusted Down". TV by the Numbers. Retrieved February 5, 2015.
Jump up ^ Kondolojy, Amanda (February 12, 2015). "Wednesday Final Ratings: 'Empire', 'Arrow' & 'American Idol' Adjusted Up; 'The Goldbergs', 'The 100', 'The Mentalist', 'The Mysteries of Laura', 'black-ish' & 'Criminal Minds' Adjusted Down". TV by the Numbers. Retrieved February 12, 2015.
Jump up ^ Bibel, Sara (February 19, 2015). "Wednesday Final Ratings: 'Empire', 'Arrow', 'American Idol' & 'Modern Family' Adjusted Up; 'The 100' & 'Stalker' Adjusted Down". TV by the Numbers. Retrieved February 19, 2015.
Jump up ^ Kondolojy, Amanda (February 26, 2015). "Wednesday Final Ratings: 'Empire', 'American Idol', 'Survivor' & 'Arrow' Adjusted Up; 'The 100', 'black-ish' & 'Nashville' Adjusted Down". TV by the Numbers. Retrieved February 26, 2015.
Jump up ^ Kondolojy, Amanda (March 26, 2015). "Wednesday Final Ratings: 'Survivor', 'The Middle', 'The Goldbergs', 'Modern Family' & Criminal Minds' Adjusted Up". TV by the Numbers. Retrieved March 26, 2015.
Jump up ^ Bibel, Sara (April 2, 2015). "Wednesday Final Ratings: 'American Idol', 'Survivor', 'The Middle', 'The Goldbergs' & 'Modern Family' Adjusted Up; 'The Mysteries of Laura' Adjusted Down". TV by the Numbers. Retrieved April 2, 2015.
Jump up ^ Kondolojy, Amanda (April 9, 2015). "Wednesday Final Ratings: 'Survivor', 'The Voice', 'The Middle', 'Criminal Minds', 'CSI: Cyber' and 'The Goldbergs' Adjusted Up". TV by the Numbers. Retrieved April 9, 2015.
Jump up ^ Bibel, Sara (April 30, 2015). "Wednesday Final Ratings: 'Arrow', 'Survivor', 'Criminal Minds' & 'Law & Order: SVU' Adjusted Up". TV by the Numbers. Retrieved April 30, 2015.
Jump up ^ Kondolojy, Amanda (May 7, 2015). "Wednesday Final Ratings: 'Arrow', 'Nashville', & 'The Goldbergs' Adjusted Up; 'American Idol', 'Criminal Minds' 'Supernatural' & 'Blacki-ish' Adjusted Down". TV by the Numbers. Retrieved May 7, 2015.
Jump up ^ Bibel, Sara (May 14, 2015). "Wednesday Final Ratings: 'Law & Order: SVU', 'Survivor, 'The Middle' & 'American Idol' Adjusted Up; 'Supernatural', 'black-ish' & 'Nashville' Adjusted Down". TV by the Numbers. Retrieved May 14, 2015.
Jump up ^ Kondolojy, Amanda (May 21, 2015). "Wednesday Final Ratings: 'Survivor', 'Survivor: Reunion' & 'Modern Family' Adjusted Up". TV by the Numbers. Retrieved May 21, 2015.
Jump up ^ Dixon, Dani (October 1, 2015). "Wednesday Final Ratings: 'Empire', 'Survivor', 'Modern Family' & 'Rosewood' Adjusted Up; 'Nashville' & 'Code Black' Adjusted Down". TV by the Numbers. Retrieved October 1, 2015.
Jump up ^ Porter, Rick (October 8, 2015). "Wednesday final ratings: 'Empire,' 'SVU' and others adjusted up, 'Arrow' holds, 'Nashville' adjusted down". TV by the Numbers. Retrieved October 8, 2015.
Jump up ^ Porter, Rick (October 15, 2015). "Wednesday final ratings: 'Empire,' 'Modern Family' and 'Arrow' adjusted up, 'Nashville' adjusted down". TV by the Numbers. Retrieved October 15, 2015.
Jump up ^ Porter, Rick (October 30, 2015). "Wednesday final ratings: 'Rosewood' adjusted up, 'Empire' and everything else hold". TV by the Numbers. Retrieved October 30, 2015.
^ Jump up to: a b Porter, Rick (November 4, 2015). "Wednesday final ratings: 'Supernatural' adjusts down, 'The Middle' and 'The Goldbergs' adjust up". TV by the Numbers. Retrieved November 4, 2015.
Jump up ^ Porter, Rick (November 5, 2015). "Wednesday final ratings: 'Arrow' adjusts up, 'Criminal Minds' rises but still at series low". TV by the Numbers. Retrieved November 5, 2015.
Jump up ^ Porter, Rick (November 12, 2015). "Wednesday final ratings: 'Blackish' and 'Code Black' adjust down". TV by the Numbers. Retrieved November 12, 2015.
Jump up ^ Porter, Rick (November 19, 2015). "Wednesday final ratings: 'Arrow,' 'Rosewood,' 'Survivor' and 'The Middle' adjust up". TV by the Numbers. Retrieved November 19, 2015.
Jump up ^ Porter, Rick (January 7, 2016). "Wednesday final ratings: 'American Idol' and 'Modern Family' adjust up". Retrieved January 7, 2016.
Jump up ^ Porter, Rick (January 14, 2016). "Wednesday final ratings: 'Modern Family' adjusts up, 'Code Black' adjusts down". TV by the Numbers. Retrieved January 14, 2016.
Jump up ^ Porter, Rick (January 21, 2016). "Wednesday final ratings: 'Mike & Molly' adjusts up". TV by the Numbers. Retrieved January 21, 2016.
Jump up ^ Porter, Rick (February 4, 2016). "Wednesday final ratings: '2 Broke Girls' adjusts up". TV by the Numbers. Retrieved February 4, 2016.
Jump up ^ Porter, Rick (February 11, 2016). "Wednesday final ratings: 'American Idol' adjusts up, 'Blackish' adjusts down". TV by the Numbers. Retrieved February 11, 2016.
Jump up ^ Porter, Rick (February 18, 2016). "Wednesday final ratings: 'Goldbergs' and 'SVU' adjust up, 'Survivor', 'Code Black' and 'Hell's Kitchen' adjust down". TV by the Numbers. Retrieved February 18, 2016.
Jump up ^ Porter, Rick (February 26, 2016). "Wednesday final ratings: 'Survivor' adjusts down". TV by the Numbers. Retrieved February 26, 2016.
Jump up ^ Porter, Rick (March 3, 2016). "Wednesday final ratings: 'The Goldbergs' adjusts up". TV by the Numbers. Retrieved March 3, 2016.
Jump up ^ Porter, Rick (March 24, 2016). "Wednesday final ratings: 'Survivor,' 'Goldbergs,' 'Criminal Minds' and 'Chicago PD' all adjust up". TV by the Numbers. Retrieved March 24, 2016.
Jump up ^ Porter, Rick (March 31, 2016). "Wednesday final ratings: 'Empire' adjusts up, 'Survivor' and 'Beyond Borders' adjust down". TV by the Numbers. Retrieved March 31, 2016.
Jump up ^ Porter, Rick (May 5, 2016). "Wednesday final ratings: 'Chicago PD' and 'Heartbeat' adjust up, 'Nashville' adjusts down". TV by the Numbers. Retrieved May 5, 2016.
Jump up ^ Porter, Rick (May 12, 2016). "Wednesday final ratings: 'Empire' and 'The Goldbergs' adjust up, 'Black-ish' and 'Nashville' adjust down". TV by the Numbers. Retrieved May 12, 2016.
Jump up ^ Porter, Rick (May 19, 2016). "Wednesday final ratings: 'Empire,' 'Goldbergs,' & 'SVU' adjust up, 'Arrow' & 'Supernatural' adjust down". TV by the Numbers. Retrieved May 19, 2016.
Jump up ^ Porter, Rick (May 26, 2016). "Wednesday final ratings: 'SVU' finale adjusts up, 'Supernatural' finale adjusts down". TV by the Numbers. Retrieved May 26, 2016.
Jump up ^ Porter, Rick (September 22, 2016). "Wednesday final ratings: 'Empire' adjusts up, 'Designated Survivor' adjusts down". TV by the Numbers. Retrieved September 22, 2016.
Jump up ^ Porter, Rick (September 29, 2016). "Wednesday final ratings: 'Empire,' 'Lethal Weapon,' 'Criminal Minds,' 'SVU' & 'Blindspot' all adjust up". TV by the Numbers. Retrieved September 29, 2016.
Jump up ^ Porter, Rick (October 6, 2016). "'Empire,' 'Survivor,' 'SVU,' 'Chicago PD' adjust up, 'Black-ish' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 6, 2016.
Jump up ^ Porter, Rick (October 13, 2016). "'Empire' and 'The Goldbergs' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved October 13, 2016.
Jump up ^ Porter, Rick (October 27, 2016). "'Survivor,' 'SVU,' ABC comedies adjust up, 'Designated Survivor' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 27, 2016.
Jump up ^ Porter, Rick (November 10, 2016). "'Black-ish' adjusts down, others hold: Wednesday final ratings". TV by the Numbers. Retrieved November 10, 2016.
^ Jump up to: a b Porter, Rick (November 17, 2016). "'Goldbergs' and 'Speechless' adjust up, 'Black-ish' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved November 17, 2016.
Jump up ^ Porter, Rick (January 5, 2017). "'Chicago PD,' 'The Mick' and others unchanged: Tuesday final ratings". TV by the Numbers. Retrieved January 5, 2017.
Jump up ^ Porter, Rick (January 6, 2017). "'Lethal Weapon,' 'Modern Family' and 'Criminal Minds' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved January 6, 2017.
Jump up ^ Porter, Rick (January 12, 2017). "'The Goldbergs' and 'Speechless' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved January 12, 2017.
Jump up ^ Porter, Rick (January 20, 2017). "'Black-ish' adjusts down slightly: Wednesday final ratings". TV by the Numbers. Retrieved January 20, 2017.
Jump up ^ Porter, Rick (February 9, 2017). "'Goldbergs,' 'Modern Family,' 'Blindspot' adjust up, 'Black-ish' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved February 9, 2017.
Jump up ^ Porter, Rick (February 16, 2017). "'Speechless' adjusts up, 'SVU' and 'Blindspot' adjust down: Wednesday final ratings". TV by the Numbers. Retrieved February 16, 2017.
Jump up ^ Porter, Rick (February 24, 2017). "'Lethal Weapon,' 'The Goldbergs' and 'Speechless' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved February 24, 2017.
Jump up ^ Porter, Rick (March 2, 2017). "'The Goldbergs' and 'Criminal Minds' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved March 2, 2017.
Jump up ^ Porter, Rick (March 23, 2017). "'Law & Order: SVU' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved March 23, 2017.
Jump up ^ Porter, Rick (March 30, 2017). "'Modern Family,' 'Survivor' and 'Chicago PD' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved March 30, 2017.
Jump up ^ Porter, Rick (April 6, 2017). "ABC comedies, 'SVU,' 'Criminal Minds,' 'Shots Fired' all adjust up; 'Beyond Borders' down: Wednesday final ratings". TV by the Numbers. Retrieved April 6, 2017.
Jump up ^ Porter, Rick (April 27, 2017). "'Survivor' and 'Black-ish' djust up: Wednesday final ratings". TV by the Numbers. Retrieved April 27, 2017.
Jump up ^ Porter, Rick (May 4, 2017). "'Empire,' 'Modern Family,' 'Criminal Minds,' 'Chicago PD' adjust up, 'The 100' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved May 4, 2017.
Jump up ^ Porter, Rick (May 11, 2017). "'Empire,' 'Modern Family,' 'Criminal Minds' finale, 'Chicago PD' & 'Speechless' all adjust up: Wednesday final ratings". TV by the Numbers. Retrieved May 11, 2017.
Jump up ^ Porter, Rick (May 18, 2017). "'Empire,' 'Blindspot' finale adjust up: Wednesday final ratings". TV by the Numbers. Retrieved May 18, 2017.
Jump up ^ Porter, Rick (September 28, 2017). "'Survivor' premiere adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved September 28, 2017.
Jump up ^ Porter, Rick (October 5, 2017). "'SEAL Team,' 'Law & Order: SVU' and everything else unchanged: Wednesday final ratings". TV by the Numbers. Retrieved October 5, 2017.
Jump up ^ Porter, Rick (October 12, 2017). "'Empire,' 'Survivor,' 'Goldbergs,' 'Blacklist' adjust up, 'Dynasty' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 12, 2017.
Jump up ^ Porter, Rick (October 19, 2017). "'Survivor,' 'Goldbergs,' 'SEAL Team' adjust up, 'Criminal Minds' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved October 19, 2017.
Jump up ^ Porter, Rick (October 26, 2017). "'The Blacklist' and 'Designated Survivor' adjust down, final World Series numbers: Wednesday final ratings". TV by the Numbers. Retrieved October 26, 2017.
Jump up ^ Porter, Rick (November 9, 2017). "'Empire,' 'SVU,' CMAs and others unchanged: Wednesday final ratings". TV by the Numbers. Retrieved November 9, 2017.
Jump up ^ Porter, Rick (November 16, 2017). "'The Goldbergs' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved November 16, 2017.
Jump up ^ Porter, Rick (December 1, 2017). "'Empire' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved December 1, 2017.
Jump up ^ Porter, Rick (December 7, 2017). "'Survivor,' 'SVU' and everything else unchanged: Wednesday final ratings". TV by the Numbers. Retrieved December 7, 2017.
Jump up ^ Porter, Rick (January 5, 2018). "'Chicago PD' adjusts up, 'The X-Files' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved January 5, 2018.
Jump up ^ Porter, Rick (January 11, 2018). "'Speechless' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved January 11, 2018.
Jump up ^ Porter, Rick (January 19, 2018). "'Riverdale,' 'X-Files' and everything else unchanged: Wednesday final ratings". TV by the Numbers. Retrieved January 19, 2018.
Jump up ^ Porter, Rick (February 1, 2018). "'The Amazing Race' adjusts up, 'The Blacklist' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved February 1, 2018.
Jump up ^ Porter, Rick (February 8, 2018). "'Riverdale' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved February 8, 2018.
Jump up ^ Porter, Rick (March 1, 2018). "'Speechless' adjusts up: Wednesday final ratings". TV by the Numbers. Retrieved March 1, 2018.
Jump up ^ Porter, Rick (March 8, 2018). "'The Goldbergs' and Riverdale' adjust up, 'Chicago PD' and 'Life Sentence' down: Wednesday final ratings". TV by the Numbers. Retrieved March 8, 2018.
Jump up ^ Porter, Rick (March 15, 2018). "'The X-Files' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved March 15, 2018.
Jump up ^ Porter, Rick (March 22, 2018). "'Survivor,' 'The Goldbergs' and 'Modern Family' adjust up, 'Speechless' adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved March 22, 2018.
Jump up ^ Porter, Rick (April 12, 2018). "'Empire,' 'Survivor,' 'Goldbergs' adjust up, CW adjusts down: Wednesday final ratings". TV by the Numbers. Retrieved April 12, 2018.
Jump up ^ Porter, Rick (April 19, 2018). "'Empire' and 'The Voice' adjust up: Wednesday final ratings". TV by the Numbers. Retrieved April 19, 2018.
Jump up ^ "(#521) "Allegiance"". The Futon Critic]. Retrieved April 11, 2018.
Jump up ^ "(#522) "Homecoming"". The Futon Critic]. Retrieved April 17, 2018.
Jump up ^ Lambert, David (June 10, 2014). "Chicago PD – The New Show is Scheduled this Fall with a 'Season 1' DVD Set ***UPDATE: Box Cover Art***". TVShowsOnDVD. Retrieved June 10, 2014.
Jump up ^ "Chicago P.D.: Season 1 [DVD]". Amazon.co.uk. Retrieved July 15, 2015.
Jump up ^ "Chicago P.D. – Season 1". JB Hi-Fi. Retrieved June 25, 2016.
Jump up ^ Lambert, David (June 9, 2015). "Chicago PD – 'Season 2' DVDs Scheduled for Release by Universal Studios!". TVShowsOnDVD. Retrieved June 9, 2015.
Jump up ^ "Chicago P.D.: Season 2 [DVD]". Amazon.co.uk. Retrieved November 17, 2015.
Jump up ^ "Chicago P.D. – Season 2". JB Hi-Fi. Retrieved November 5, 2015.
Jump up ^ Lambert, David (June 21, 2016). "Chicago PD DVD news: Announcement for Season 3". TVShowsOnDVD. Retrieved June 21, 2016.
Jump up ^ "Chicago PD – Season 3 [DVD] [2016]". Amazon. Retrieved July 11, 2016.
Jump up ^ "Chicago P.D. – Season 3". JB Hi-Fi. Retrieved June 25, 2016.
Jump up ^ Lambert, David (June 29, 2017). "Chicago PD – Universal's 'Season 4' DVDs Formally Announced". TVShowsOnDVD. Retrieved June 30, 2017.
Jump up ^ "Chicago P.D. – Season 4". JB Hi-Fi. Retrieved September 22, 2017.
External links[edit]
List of Chicago P.D. episodes at NBC
List of Chicago P.D. episodes on IMDb
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Steam power during the Industrial Revolution
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For more details on this topic, see Steam engine, Watt steam engine, and Timeline of steam power.
The steam engine was one of the most important technologies of the Industrial Revolution, although steam did not replace water power in importance in Britain until after the Industrial Revolution. From Englishman Thomas Newcomen's atmospheric engine, of 1712, through major developments by Scottish inventor and mechanical engineer James Watt, the steam engine began to be used in many industrial settings, not just in mining, where the first engines had been used to pump water from deep workings. Early mills had run successfully with water power, but by using a steam engine a factory could be located anywhere, not just close to water. Water power varied with the seasons and was not always available
In 1775 Watt formed an engine-building and engineering partnership with manufacturer Matthew Boulton. The partnership of Boulton & Watt became one of the most important businesses of the Industrial Revolution and served as a kind of creative technical centre for much of the British economy. The partners solved technical problems and spread the solutions to other companies. Similar firms did the same thing in other industries and were especially important in the machine tool industry. These interactions between companies were important because they reduced the amount of research time and expense that each business had to spend working with its own resources. The technological advances of the Industrial Revolution happened more quickly because firms often shared information, which they then could use to create new techniques or products.
From mines to mills, steam engines found many uses in a variety of industries. The introduction of steam engines improved productivity and technology, and allowed the creation of smaller and better engines. After Richard Trevithick's development of the high-pressure engine, transport-applications became possible, and steam engines found their way into boats, railways, farms and road vehicles. Steam engines are an example of how changes brought by industrialization led to even more changes in other areas.
The development of the stationary steam engine was an essential early element of the Industrial Revolution, however it should be remembered that for most of the period of the Industrial Revolution the majority of industries still relied on wind and water power as well as horse and man-power for driving small machines.
Contents
[hide]
1 Thomas Savery's steam pump
2 Thomas Newcomen's steam engine
3 James Watt's steam engines
4 Development after Watt
4.1 The Corliss Engine
5 Major Applications
5.1 Moving from Water to Steam Power
5.2 The Steamboat
5.2.1 Steamboat and Water Transport
5.3 Railroad
6 References
Thomas Savery's steam pump[edit]
Main article: Thomas Savery
The industrial use of steam power started with Thomas Savery in 1698. He constructed and patented in London the first engine, which he called the "Miner's Friend" since he intended it to pump water from mines. Early versions used a soldered copper boiler which burst easily at low steam pressures. Later versions with iron boiler were capable of raising water about 46 meters (150 feet). The Savery engine had no moving parts other than hand-operated valves. The steam once admitted into the cylinder was first condensed by an external cold water spray, thus creating a partial vacuum which drew water up through a pipe from a lower level; then valves were opened and closed and a fresh charge of steam applied directly on to the surface of the water now in the cylinder, forcing it up an outlet pipe discharging at higher level. The engine was used as a low-lift water pump in a few mines and numerous water works, but it was not a success since it was limited in pumping height and prone to boiler explosions.[1]
Thomas Newcomen's steam engine[edit]
Main article: Newcomen atmospheric engine
Newcomen's atmospheric steam engine
The first safe and successful steam power plant was introduced by Thomas Newcomen in 1712. Newcomen apprently conceived his machine quite independently of Savery, but as the latter had taken out a very wide-ranging patent, Newcomen and his associates were obliged to come to an arrangement with him, marketing the engine until 1733 under a joint patent.[2] Newcomen's engine appears to have been based on Papin's experiments carried out 30 years earlier, and employed a piston and cylinder, one end of which was open to the atmosphere above the piston. Steam just above atmospheric pressure (all that the boiler could stand) was introduced into the lower half of the cylinder beneath the piston during the gravity-induced upstroke; the steam was then condensed by a jet of cold water injected into the steam space to produce a partial vacuum; the pressure differential between the atmosphere and the vacuum on either side of the piston displaced it downwards into the cylinder, raising the opposite end of a rocking beam to which was attached a gang of gravity-actuated reciprocating force pumps housed in the mineshaft. The engine's downward power stroke raised the pump, priming it and preparing the pumping stroke. At first the phases were controlled by hand, but within ten years an escapement mechanism had been devised worked by of a vertical plug tree suspended from the rocking beam which rendered the engine self-acting.
A number of Newcomen engines were successfully put to use in Britain for draining hitherto unworkable deep mines, with the engine on the surface; these were large machines, requiring a lot of capital to build, and produced about 5 hp. They were extremely inefficient by modern standards, but when located where coal was cheap at pit heads, opened up a great expansion in coal mining by allowing mines to go deeper. Despite their disadvantages, Newcomen engines were reliable and easy to maintain and continued to be used in the coalfields until the early decades of the nineteenth century. By 1729, when Newcomen died, his engines had spread to France, Germany, Austria, Hungary and Sweden. A total of 110 are known to have been built by 1733 when the joint patent expired, of which 14 were abroad. In the 1770s, the engineer John Smeaton built some very large examples and introduced a number of improvements. A total of 1,454 engines had been built by 1800.
James Watt's steam engines[edit]
Main article: Watt steam engine
A fundamental change in working principles was brought about by James Watt. With the close collaboration of Matthew Boulton, he had succeeded by 1778 in perfecting his steam engine which incorporated a series of radical improvements, notably, the use of a steam jacket around the cylinder to keep it at the temperature of the steam and, most importantly, a steam condenser chamber separate from the piston chamber. These improvements increased engine efficiency by a factor of about five, saving 75% on coal costs.
The Newcomen engine could not, at the time, be easily adapted to drive a rotating wheel, although Wasborough and Pickard did succeed in doing so in about 1780. However, by 1783 the more economical Watt steam engine had been fully developed into a double-acting rotative type with a centrifugal governor, parallel motion and flywheel which meant that it could be used to directly drive the rotary machinery of a factory or mill. Both of Watt's basic engine types were commercially very successful.
By 1800, the firm Boulton & Watt had constructed 496 engines, with 164 driving reciprocating pumps, 24 serving blast furnaces, and 308 powering mill machinery; most of the engines generated from 5 to 10 hp. An estimate of the total power that could be produced by all these engines was about 11,200 hp. This was still only a small fraction of the total power generated in Britain by waterwheels (120,000 hp) and by windmills (15,000 hp).[3] Newcomen and other steam engines generated at the same time about 24,000 hp.
Development after Watt[edit]
The development of machine tools, such as the lathe, planing and shaping machines powered by these engines, enabled all the metal parts of the engines to be easily and accurately cut and in turn made it possible to build larger and more powerful engines.[4]
In the early 19th century after the expiration of the Boulton & Watt patent in 1800, the steam engine underwent great increases in power due to the use of higher pressure steam which Watt had always avoided because of the danger of exploding boilers, which were in a very primitive state of development.[4][5]
Until about 1800, the most common pattern of steam engine was the beam engine, built as an integral part of a stone or brick engine-house, but soon various patterns of self-contained portative engines (readily removable, but not on wheels) were developed, such as the table engine. Further decrease in size due to use of higher pressure came towards the end of the 18th Century when the Cornish engineer, Richard Trevithick and the American engineer, Oliver Evans, independently began to construct higher pressure (about 40 pounds per square inch (2.7 atm)) engines which exhausted into the atmosphere. This allowed an engine and boiler to be combined into a single unit compact and light enough to be used on mobile road and rail locomotives and steam boats.[4]
Trevithick was a man of versatile talents, and his activities were not confined to small applications. Trevithick developed his large Cornish boiler with an internal flue from about 1812. These were also employed when upgrading a number of Watt pumping engines, greatly increasing power and productivity; this led to the highly efficient large Cornish engines that continued to be built right up to the end of the 19th Century.[4]
The Corliss Engine[edit]
Main article: Corliss steam engine
The Corliss Engine displayed at the International Exhibition of Arts, Manufactures and Products of the Soil and Mine of 1876
Due to the ever-increasing power demands of the 1800s, especially in manufacturing, innovations were made to existing steam engines and a number of entirely new steam engines were developed. Of these, few brought the high levels of horsepower and efficiency produced by the Corliss engine.[6] Named after its inventor, George Henry Corliss, this stationary steam engine was introduced to the world in 1849. The engine boasted a number of desired features, including fuel efficiency (lowering cost of fuel by a third or more), low maintenance costs, 30% higher rate of power production, high thermal efficiency, and the ability to operate under light, heavy, or varying loads while maintaining high velocity and constant speed.[7][8][9][10] While the engine was loosely based on existing steam engines keeping the simple piston-flywheel design, the majority of these features were brought about by the engine’s unique valves and valve gears. Unlike most engines employed during the era that were using mainly slide-valve gears, Corliss created his own system that used a wrist plate to control a number of different valves. Each cylinder was equipped with four valves, with exhaust and inlet valves at both ends of the cylinder.[4] Through a precisely tuned series of events opening and closing these valves, steam is admitted and released at a precise rate allowing for linear piston motion. This provided the engine’s most notable feature, the automatic variable cut-off mechanism.[11] This mechanism is what allowed the engine to function under varying loads without losing efficiency, stalling, or being damaged. Using a series of cam gears, which could adjust valve timing (essentially acting as a throttle), the engine’s speed and horsepower was adjusted. This proved extremely useful for most of the engine’s applications. In the textile industry, it allowed for production at much higher speeds while lowering the likelihood that threads would break.[8][12] In metallurgy, the extreme and abrupt variations of load experienced in rolling mills were also countered by the technology. These examples demonstrate that the Corliss engine was able to lead to much higher rates of production, while preventing costly damages to machinery and materials. It was referred to as “the most perfect regulation of speed.” [13]
Corliss kept a detailed record of the production, collective horsepower, and sales of his engines up until the patent expired.[13] He did this for a number of reasons, including tracking those who infringed on the patent rights, maintenance and upgrade details, and especially as data used to extend the patent. With this data, a more clear understanding of the engine’s influence is provided. By 1869, nearly 1200 engines had been sold, totaling 118,500 horsepower. Another estimated 60,000 horsepower was being utilized by engines that were created by manufacturers infringing on Corliss’s patent, bringing the total horsepower to roughly 180,000.[8] This relatively small number of engines produced 15% of the United States’ total 1.2 million horsepower.[14] The mean horsepower for all Corliss engines in 1870 was 100, while the mean for all steam engines (including Corliss engines) was 30. Some very large engines even allowed for applications as large as 1,400 horsepower. Many were convinced of the Corliss engine’s benefits, but adoption was slow due to patent protection. When Corliss was denied a patent extension in 1870, it became a prevalent model for stationary engines in the industrial sector.[8] By the end of the 19th century, the engine was already having a major influence on the manufacturing sector, where it made up only 10% of the sector’s engines, but produced 46% of the horsepower.[14] The engine also became a model of efficiency outside of the textile industry as it was used for pumping the waterways of Pawtucket, Rhode Island in 1878 and by playing an essential role in the expansion of the railroad by allowing for very large-scale operations in rolling mills.[6][8] Many steam engines of the 19th century have been replaced, destroyed, or repurposed, but the longevity of the Corliss engine is apparent today in select distilleries where they are still used as a power source.[15]
Major Applications[edit]
Moving from Water to Steam Power[edit]
Water power, the world's preceding supply of power, continued to be an essential power source even during the height of steam engine popularity.[16] The steam engine, however, provided many benefits that couldn’t be realized by relying solely on water power, allowing it to quickly become industrialised nations' dominant power source (rising from 5% to 80% of the total power in the US from 1838-1860).[17] While many consider the potential for an increase in power generated to be the dominant benefit (with the average horsepower of steam powered mills producing four times the power of water powered mills), others favor the potential for agglomeration.[18][19] Steam engines made it possible to easily work, produce, market, specialize, viably expand westward without having to worry about the less abundant presence of waterways, and live in communities that weren’t geographically isolated in proximity to rivers and streams.[8] Cities and towns were now built around factories where steam engines served as the foundation for the livelihood of many of the citizens. By promoting the agglomeration of individuals, local markets were established and often met with impressive success, cities quickly grew and were eventually urbanized, the quality of living increased as infrastructure was put in place, finer goods could be produced as acquisition of materials became less difficult and expensive, direct local competition led to higher degrees of specialization, and labor and capital were in rich supply.[7] In some counties where the establishments utilized steam power, population growths were even seen to increase.[20] These steam powered towns encouraged growth locally and on the national scale, further validating the economic importance of the steam engine.
The Steamboat[edit]
Main article: Steamboat
This period of economic growth, which was ushered in by the introduction and adoption of the steamboat, was one of the greatest ever experienced in the United States. Around 1815, steamboats began to replace barges and flatboats in the transport of goods around the United States. Prior to the steamboat, rivers were generally only used in transporting goods from east to west, and from north to south as fighting the current was very difficult and often impossible.[21] Non-powered boats and rafts were assembled up-stream, would carry their cargo down stream, and would often be disassembled at the end of their journey; with their remains being used to construct homes and commercial buildings.
Steamboat on the Yukon River
Following the advent of the steamboat, the United States saw an incredible growth in the transportation of goods and people, which was key in westward expansion. Prior to the steamboat, it could take between three and four months to make the passage from New Orleans to Louisville, averaging twenty miles a day.[21] With the steamboat this time was reduced drastically with trips ranging from twenty-five to thirty-five days. This was especially beneficial to farmers as their crops could now be transported elsewhere to be sold. The steamboat also allowed for increased specialization. Sugar and Cotton were shipped up north while goods like poultry, grain and pork were shipped south. Unfortunately, the steamboat also aided in the internal slave trade.[22]
With the steamboat came the need for an improved river system. The natural river system had features that either wasn't compatible with steamboat travel or was only available during certain months when rivers were higher. Some obstacles included rapids, sand bars, shallow waters and waterfalls. To overcome these natural obstacles, a network of canals, locks and dams were constructed. This increased demand for labor spurred tremendous job growth along the rivers.[23]
The economic benefits of the steamboat extended far beyond the construction of the ships themselves, and the goods they transported. These ships led directly to growth in the coal and insurance industries, along with creating demand for repair facilities along the rivers.[24] Additionally the demand for goods in general increased as the steamboat made transport to new destinations both wide reaching and efficient.
Steamboat and Water Transport[edit]
After the first steamboat was invented and achieved a number of successful trials, it was quickly adopted and led to an even quicker change in the way of water transport. In 1814, the city of New Orleans recorded 21 steamboat arrivals, but over the course of the following 20 years that number exploded to more than 1200. The steamboat’s role as a major transportation source was secured.[25] The transport sector saw enormous growth following the steam engine's application, leading to major innovations in canals, steamboats, and railroads. The steamboat and canal system revolutionized trade of the United States. As the steamboats gained popularity, enthusiasm grew for the building of canals. In 1816, the US had only 100 miles of canals. This needed to change, however, as the potential increase in traded goods from east to west convinced many that canals were a necessary connection between the Mississippi-Ohio waterways with the Great Lakes.
Railroad[edit]
The use of steam engines on railroads proved to be extraordinary in the fact that now you could have large amounts of goods and raw materials delivered to cities and factories alike. Trains could deliver these to places far away at a fraction of the cost traveling by wagon. Railroad tracks, which were already in use in mines and various other situations, became the new means of transportation after the first locomotive was invented.
References[edit]
Jump up ^ Jenkins, Ryhs (1971) [1936]. Links in the History of Engineering and Technology from Tudor Times. Cambridge (1st) , Books for Libraries Press (2nd): The Newcomen Society at the Cambridge University Press. ISBN 9780836921670<The Collected Papers of Rhys Jenkins, Former Senior Examiner in the British Patent Office>
Jump up ^ Hulse, David H: The Early Development of the Steam Engine; TEE Publishing, Leamington Spa, UK, 1999 ISBN 1-85761-107-1
Jump up ^ Hills, Rev. Dr. Richard (2006), James Watt Vol 3: Triumph through Adversity, 1785-819, Ashbourne, Derbyshire, England: Landmark Publishing, p. 217, ISBN 1-84306-045-0
^ Jump up to: a b c d e Hunter, Louis C. (1985). A History of Industrial Power in the United States, 1730–1930, Vol. 2: Steam Power. Charolttesville: University Press of Virginia.
Jump up ^ James Watt Monopolist
^ Jump up to: a b Hunter, Louis (1979). A History of Industrial Power in the US, 1780-1930, Vol I. The University Press of Virginia.
^ Jump up to: a b Rosenberg, Nathan; Trajtenberg, Manuel (2004). "A General Purpose Technology at Work: The Corliss Steam Engine in the late 19th Century US". The Journal of Economic History. 64 (1): 61–99. |access-date= requires |url= (help)
^ Jump up to: a b c d e f Hunter, Louis (1985). A History of Industrial Power in the United States, 1780-1930, Vol. II: Steam Power. Charlottesville: The University Press of Virginia.
Jump up ^ Tribe, J (1903). Compound Corliss Engines. Milwaukee, Wisconsin: Milwaukee, Tribe.
Jump up ^ Burn, D. L. (January 1931). "The Genesis of American Engineering Competition, 1850-1870". Economic History Review.
Jump up ^ Thompson, Ross (2009). Structures of Change in the Mechanical Age: Technological Invention in the United States 1790-1865. Baltimore, MD: The Johns Hopkins University Press. ISBN 978-0-8018-9141-0.
Jump up ^ Sheldon, F. F. (1892). Power and Speed in Cotton Mills, Proceedings of the 27th Annual Meeting of the Northeast Cotton Manufacturers Association. Boston.
^ Jump up to: a b Corliss, G. H. (1870). In the Matter of the Petition of George H. Corliss for an Extension of His letters Patent for Improvements in Steam Engines. Providence: Providence Press Company.
^ Jump up to: a b Trowbridge, W. P. (1880). Reports on the Water-power of the United States: Statistics of Power and Machinery Employed in Manufactures. 10th U.S. Census.
Jump up ^ Rasmussen, M. "Corliss Engine Group Gear Mechanisms Corliss Steam Engine". Archive.org. Retrieved 19 June 2014.
Jump up ^ Atack, J; Bateman, F; Weiss, T (1980). "The Regional Diffusion and Adoption of the Steam Engine in American Manufacturing". The Journal of Economic History. 40 (2): 281–308. doi:10.1017/s0022050700108216.
Jump up ^ Fenichel, A. H. (1966). "Growth and Diffusion of Power in Manufacturing 1839-1919. In Output, Employment and Productivity in the United States after 1800". National Bureau of Economic Research, Studies in Income and Wealth. 30: 443–478.
Jump up ^ Atack, J (1979). "Fact in Fiction? Relative Costs of Steam and Water Power: A Simulation Approach". Explorations in Economic History. 16: 409–437. doi:10.1016/0014-4983(79)90029-9.
Jump up ^ Temin, P (June 1966). "Steam and Waterpower in the Early Nineteenth Century". Journal of Economic History.
Jump up ^ Krugman, P (1991). Geography and Trade. MIT Press.
^ Jump up to: a b Zimmer, David (1982). The Ohio River; Gateway to Settlement. Indiana Historical Society. p. 72.
Jump up ^ Camfield, Gregg. "Economic Development; Mark Twain's Mississippi". Mark Twain's Mississippi. Retrieved 2014-06-23.
Jump up ^ Hedeen, Jane. "The Economic Impact of the Steamboat" (PDF). http://indianahistory.org. Indiana Historical Society. Retrieved 2014-06-23. External link in |website= (help)
Jump up ^ Williams, L.A. (1882). History of the Ohio Falls Cities and their Counties: With illustrations and bibliographical sketches. Cleveland: L.A. Williams and Company. p. 220. |access-date= requires |url= (help)
Jump up ^ "History of Steamboat on the Mississippi River". http://www.mississippiriverinfo.com/history-of-steamboats-on-the-Mississippi-river/. Mississippi River Cruises. External link in |website= (help); Missing or empty |url= (help); |access-date= requires |url= (help)
General
The Growth of the Steam-engine. Robert H. Thurston, A. M., C. E., New York: D. Appleton and Comithcmpany, 1878.
Burstall, Aubrey F. (1965). A History of Mechanical Engineering. The MIT Press. ISBN 0-262-52001-X.
Hills, Richard L. (1989). Power from Steam. Cambridge University Press. ISBN 0-521-45834-X.
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text:
Pasadena (song)
From Wikipedia, the free encyclopedia
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"Pasadena"
Single by John Young
Released
January 1972 (original)
1975 (re-recorded)
Format
Vinyl, 7"
Genre
Pop
Length
3:15
Label
Albert Productions
Songwriter(s)
David Hemmings, Harry Vanda & George Young
Producer(s)
Simon Napier-Bell
John Young singles chronology
"Pasadena"
(1972) "You Drive Me Crazy"
(1973)
"Pasadena"
(1972) "You Drive Me Crazy"
(1973)
"Pasadena" is the debut single by Australian pop singer John Young, released in January 1972 and peaking at number 16 on the Australian Go-Set Chart.[1]
The single was released under the name John Young. Young's subsequent releases used "John Paul Young" to avoid confusion with Johnny Young (no relation), the 1960s pop star and Young Talent Time (1971–1988 TV show) presenter.[2] Young performed the song on Happening 70 on Channel Ten.[3]
"Pasadena"was re-recorded in 1975 for Young's debut studio album Hero.
Contents
[hide]
1 Track listing
2 Charts
2.1 Weekly charts
2.2 Year-end charts
3 Personnel
4 References
5 External links
Track listing[edit]
7" (AP-9765)
Side A "Pasadena" (David Hemmings, Harry Vanda & George Young) - 3:15
Side B "Better Go Back to Bed" (Simon Napier-Bell, H. Vanda & G. Young) - 2:20
Charts[edit]
Weekly charts[edit]
Chart (1972)
Position
Australian Go-Set Chart[4]
16
Year-end charts[edit]
Chart (1972)
Position
Australian Go-Set Chart
89
Personnel[edit]
John Paul Young — Lead vocals
Ian "Willie" Winter — Guitar
Johnny Dick — Drums, percussion
Warren Morgan — (Keyboards, backing vocals)
Ronnie Peel — Bass, backing vocals)
Ray Goodwin — Guitar
References[edit]
Jump up ^ "Pasadena". Australian Music Database. Retrieved 18 June 2017.
Jump up ^ Smith, Michael (30 July 2009). "ARIA Hall of Fame – John Paul Young". The Drum Media. Western Australia: Street Press Australia Pty Ltd. p. 14. |access-date= requires |url= (help)
Jump up ^ Wilmoth, Peter – Glad All Over – The Countdown Years 1974–1987, p 66-9 McPhee Gribble/Penguin Books 1993. ISBN 978-0-86914-293-6
Jump up ^ "GO Set Chart w/c 6 February 1971". Pop Archives. 6 February 1971. Retrieved 24 August 2016.
External links[edit]
John Paul Young - Pasadena (7" single)
[hide]
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John Paul Young
Discography
Studio albums
Hero
J.P.Y.
Green
Love Is in the Air
Heaven Sent
The Singer
One Foot in Front
Now
In Too Deep
Compilation albums
All the Best
Love Is in the Air
Classic Hits
I Hate the Music
Singles
"Pasadena"
"Yesterday's Hero"
"The Love Game"
"I Hate the Music"
"Keep On Smilin'"
"Standing in the Rain"
"I Wanna Do It With You"
"Here We Go"
"Where the Action Is"
"Love Is in the Air"
"The Day That My Heart Caught Fire"
"Lost in Your Love"
"Fool in Love"
"Out of Time"
"Soldier of Fortune"
Related articles
Vanda & Young

This 1970s pop song-related article is a stub. You can help Wikipedia by expanding it.
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Pasadena_(song)&oldid=788376460"
Categories:
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